“Seth material” search engine (Jane Roberts)

(Today I showed Jane the finished version of my “ghost image” portrait of her as a male in another probability. The painting represented a new approach in art for me, and had caused me a good deal of puzzlement at first. I began it early in February. I won’t take the space to describe the series of mistaken efforts I went through in producing the work, except to say that finally I came to the rather simple conscious understanding that I was trying to paint a probable Jane. All at once, as I watched her delivering the 684th session on February 20, I saw strong resemblances between my painting and certain poses she repeatedly took while in trance.

3. This little note fits in here for two reasons: Jane’s pause, and Seth’s discussion of our kind of time. Here’s what I wrote at 9:55 in the 24th session for February 10, 1964: “Jane reports that when she pauses for Seth during a delivery, she can sense the whole concept of the subject being discussed. Subjectively, it appears to ‘hang over her.’ Since on those occasions it’s too much to handle at once, however, she feels Seth withdrawing it, to release it to her a little at a time in the form of connected words.”