1 result for (book:ur1 AND session:688 AND stemmed:communic)
[... 18 paragraphs ...]
It is vital that you understand this inward and outward thrust of “time,” however, and realize that from this flows the consecutive appearance of the moment. The thrusting gives dimensions to time that so far you have not even begun to realize. Again, you live on the surface of the moments, with no understanding of the unrecognized and unofficial realities that lie beneath. All of this, once more, is tied in with your accepted neurological recognition of certain messages over others, your mental prejudice that effectively blinds you to other quite valid biological communications that are indeed present all of the “time”.
[... 11 paragraphs ...]
I told you (after 10:26 in this session) that you presently perceive only the surface of the moment; so you also perceive but one line of the species’ development. Yet even within your system, there are hints of the other probable realities that also coexist. The dolphins are a case in point.9 In your line of probability they are oddities, yet even now you recognize their great brain capacity, and to some dim extent glimpse the range of their own communication.
[... 28 paragraphs ...]
9. At once Seth’s material reminded me of a novel about dolphins that Jane worked on in 1963. Her first book-length fiction, The Rebellers, had been published (as a paperback) that summer, and she was experimenting with several new ideas. A couple of months before these sessions began in late November of that year, she wrote an outline and five chapters for a novel about the development of communications between mankind and cetaceans, and called it To Hear A Dolphin. We hadn’t realized it at the time, of course, but it embodied some of the ideas Seth was to enlarge upon in his own material. Jane had time to show her manuscript to one publisher — who rejected it — before the Seth material got under way. To Hear A Dolphin was then laid aside, evidently for good. We still talk about it every so often; we still think its basic premises are good ones. Yet were she to do the book now, Jane says, she’d have to rewrite it completely.
[... 1 paragraph ...]