“Seth material” search engine (Jane Roberts)

As there are insides to apples, so think of the ordinary moment as an apple. In usual experience, you hold that apple in your hand, or eat it. Using this analogy, however, the apple itself (as the moment) would contain infinite variations of itself within itself. These CU’s therefore can operate even within time, as you understand it, in ways that are most difficult to explain. Time not only goes backward and forward, but inward and outward. I am still using your idea of time here to some degree. (Pause.) Later in this book I hope to lead you beyond it entirely. But in the terms in which I am speaking, it is the inward and outward directions of time that give you a universe that seems to be fairly permanent, and yet is also being created.

9. At once Seth’s material reminded me of a novel about dolphins that Jane worked on in 1963. Her first book-length fiction, The Rebellers, had been published (as a paperback) that summer, and she was experimenting with several new ideas. A couple of months before these sessions began in late November of that year, she wrote an outline and five chapters for a novel about the development of communications between mankind and cetaceans, and called it To Hear A Dolphin. We hadn’t realized it at the time, of course, but it embodied some of the ideas Seth was to enlarge upon in his own material. Jane had time to show her manuscript to one publisher — who rejected it — before the Seth material got under way. To Hear A Dolphin was then laid aside, evidently for good. We still talk about it every so often; we still think its basic premises are good ones. Yet were she to do the book now, Jane says, she’d have to rewrite it completely.