1 result for (book:ur1 AND session:688 AND stemmed:seth)
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(Then came Jane’s projection-probability experience involving her home town of Saratoga Springs; she described this episode in her notes preceding the 685th session, in Section 1, and Seth elaborated upon it considerably in the next session. The ghostly qualities in that event fit in with what I was trying to do in the painting: By leaving the thick gray and white underpainting of my “portrait” of “Jane” without color, I realized, I could express not only a probable interpretation of her, but the colorless qualities of the Saratoga experience itself. Once I made those conscious connections I was able to finish the painting very easily. I intend to do more work in this manner.
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(“Good evening, Seth.”)
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(I had to smile. After about 30 seconds Jane, as Seth, was already waiting to continue.)
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2. In general, given the nature of the CU’s — Seth’s postulated “basic” units of consciousness that make up all realities — closed systems cannot exist. From Session 581 in Chapter 20 of Seth Speaks: “Basically, however, no system is closed. Energy flows freely from one to another, or rather permeates each. It is only the camouflage [physical] structure that gives the impression of closed systems, and the law of inertia does not apply. It appears to be a reality only within your own framework and because of your limited focus.”
Then, for some early quotes from Seth about his own ability to move among certain systems of reality, see Note 4 for the 680th session in this volume.
(Seth, in the 512th session in Chapter 1 of Seth Speaks: “Now at times I will be using the term ‘camouflage,’ referring to the physical world to which the outer ego relates, for physical form is one of the camouflages that reality adopts.”)
3. This little note fits in here for two reasons: Jane’s pause, and Seth’s discussion of our kind of time. Here’s what I wrote at 9:55 in the 24th session for February 10, 1964: “Jane reports that when she pauses for Seth during a delivery, she can sense the whole concept of the subject being discussed. Subjectively, it appears to ‘hang over her.’ Since on those occasions it’s too much to handle at once, however, she feels Seth withdrawing it, to release it to her a little at a time in the form of connected words.”
And added later: Also in that session, Seth describes how he must “disentangle concepts” from their patterns in order to relate them through Jane. His material on this will be given in an appendix for Session 711, in Volume 2 of “Unknown” Reality. In that appendix I assemble from various sessions information on the complex relationships involving Jane-Ruburt-Seth (and also Rob-Joseph).
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(Yet, it has been proposed that some light radiation might escape from the “event horizon” just above, or surrounding, the black hole, and that eventually this radiation may be detected with more advanced satellite equipment. Seth hasn’t commented one way or the other on such theoretical attributes of black holes.)
See the 593rd session in the Appendix of Seth Speaks, where Seth briefly discusses both black holes and their suggested counterparts, white holes.
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7. Just a week ago, in the 686th session, I asked Seth to comment on our ancient origins, but without getting an answer. At this writing, then, we still don’t know what period in our past he’s referring to. Evidently it’s a very long time ago; even in conventional paleontological terms, recent discoveries in East Africa place a toolmaking man in action 3 million years ago, with a lineage possibly going back 14 million years. Now we plan to ask Seth to develop his man-animal material soon, adding more specifics and including the probabilities involved.
A note added later: Unfortunately, we never did receive the kind of information we wanted here, especially that on human origins, before Seth finished “Unknown” Reality. The main reason? I became so occupied with the succeeding sessions of this manuscript that I forgot to make the request.
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9. At once Seth’s material reminded me of a novel about dolphins that Jane worked on in 1963. Her first book-length fiction, The Rebellers, had been published (as a paperback) that summer, and she was experimenting with several new ideas. A couple of months before these sessions began in late November of that year, she wrote an outline and five chapters for a novel about the development of communications between mankind and cetaceans, and called it To Hear A Dolphin. We hadn’t realized it at the time, of course, but it embodied some of the ideas Seth was to enlarge upon in his own material. Jane had time to show her manuscript to one publisher — who rejected it — before the Seth material got under way. To Hear A Dolphin was then laid aside, evidently for good. We still talk about it every so often; we still think its basic premises are good ones. Yet were she to do the book now, Jane says, she’d have to rewrite it completely.
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