“Seth material” search engine (Jane Roberts)

“Now I do recall something: I was getting a whole bunch of material and it was multidimensional. I was confused. I thought part of it went with stuff already given … but in a … probable way. I didn’t see how it could be inserted into a normal manuscript because it had this extra dimension. It was here that I got angry and woke myself up. As I opened my eyes, I realized that the material hadn’t been given yet in ‘Unknown’ Reality — though in the sleep state I was sure it had been.

(Within 15 minutes of finishing her statement, Jane spontaneously began writing a second, longer one. She produced it in an altered state of consciousness — albeit a sort of grudging one, as her subsequent notes show. But first the material: She regards its method of reception, as well as its content, as representing breakthroughs of a kind for her, and because both that reception and content are related to “Unknown” Reality we’re presenting considerable portions of the statement here:)

“In these side pockets, memory, so-called, is not so structured. Its ever-present living elements are apparent; and its growth. Its material is ever-fresh. Here the past still happens. Usually we experience it through neurological connections; that’s when it seems vivid or alive, but actually it’s that way all the time. Past motion and acts still go on, not recurring — it’s hard to explain — but those past actions are still exploring other probabilities, while our nervous structure focuses us in the one (physical) probable reality we’ve chosen. To us those other actions seem terminated … but that’s only because usually we can’t follow them.

“Writing, as a linear form, itself imposes limitations here.

[...] Was I trying to develop one of those here in my own physical reality? [...]

(Although the session ostensibly ended here, there were actually several succeeding — and continuing — effects that grew out of it. [...]