“Seth material” search engine (Jane Roberts)

(So Jane experienced a modest series of unusual psychic events before the sessions themselves began; some details on these have been given in earlier notes. Her first massive sensations in March [estimated], 1962, were followed by these phenomena in 1963: our York Beach experiences in August; her reception of Idea Construction in September; her massive feelings in October [estimated]; the outline she produced for ESP Power [or The Coming of Seth] as a result of the Idea Construction adventure; and the beginning of these sessions in November, through our trying certain experiments listed in that outline [as Jane explains in Chapter 1 of The Seth Material]. It didn’t occur to us to label any of those events as “psychic” until the event of Idea Construction. Listing them as I’ve done here is also apt to artificially set them aside from the flow of insights within the poetry Jane has written since childhood; actually, of course, all are related.

“Jane added that when we close our eyes we’re aware of a certain ‘area of blackness,’ one we’re used to. While she’d been in this unusual state, that area was much enlarged — she used the words ‘infinitely large’ to describe it. Jane said it was as though her eyes had actually moved further apart to create this expanded field of awareness, of infinite black. She hadn’t sensed anything happening within this area, but thought that she might have, given more knowledge and experience. She hadn’t been frightened by the sensation, and went along with it. She didn’t have it now that her eyes were open, yet the physical feeling of enlargement had been so strong there could be no doubt of it …

To simplify a great deal: In modern physics it’s said that atoms are processes, not things; that atoms and/or their constituents can appear as either waves or particles, depending on how we observe them; and that these qualities exist outside of our coarse world of space and time. [...] It’s further said that our attempts to describe or visualize such nonphysical qualities inevitably cause us to misinterpret them; so the artist wonders whether the atom’s movement in more than one direction at once may not be perfectly “natural” in its own environment — some sort of ability quite separate from any play we may indulge in with words while trying to consciously comprehend it.

[...] She recited a list of opposing feelings in her own body that she was simultaneously aware of in her “bigger body”: Her right foot was very cold, her back very hot … I got her a sweater, for our living room had cooled off. [...]

[...] In one of our very early sessions, I told you that you perceive from a vast field only certain data that you find meaningful. [...]

1. In several of the sessions he delivered in 1970–71 for Seth Speaks, Seth explained how atoms and molecules phase in and out of our physical system. [...]