“Seth material” search engine (Jane Roberts)

(11:02.) Give us a moment … I told you (in the last session) that in one probability Ruburt was a nun, expressing mysticism in a highly disciplined context, where it must be watched so that it does not get out of hand. Because there is an unconscious flow of information and experience here, you have one of the reasons for Ruburt’s caution in some psychic matters, and his fear of leading people astray. There were three offshoots: one, the nun, with mysticism conventionally expressed, but under guarded circumstances; one, the writer who veiled mystical experience through art; and one, the Ruburt you know, who experienced mystical experience directly, teaches others to do the same, and forms through writing a wedding of the two aspects. You have known two of those selves, then, and you were present at Ruburt’s birth with Idea Construction.

Returning east to Sayre, Pa., he opened his auto-repair and battery shop. (Again, see Note 9 for the 679th session.) Through our early school years Linden and I had part-time “jobs” at our father’s shop, and many chances to watch him work. I think that his exacting mechanical abilities are reflected in Linden’s very realistic models, and are transmuted in the methods I use to solidly “construct” my paintings and to keep the records for the Seth material.

I might add that if the York Beach adventure was a strong sign for us of psychic development to come (even if we weren’t able to interpret much of it at first), then Jane’s reception a month later of her manuscript, Idea Construction, was another; and that experience contained obvious psychic elements. See Note 7 for the last session.