“Seth material” search engine (Jane Roberts)

(From Seth’s delivery following last break, I’ve deleted less than two short sentences of very personal material. Obviously, Jane and I did choose to meet the challenges presented by the emergence of her psychic abilities 11 years ago. Those “new” abilities offered creative possibilities so apparent that, given our natures, we had little desire to do otherwise; beneath our doubts and questions we intuitively felt the rightness of our decisions. I found that I was able to contribute psychically in certain ways, other than just recording the sessions. And to have at least some of our deepest desires and motivations brought so clearly to conscious awareness, through psychic means or any other way, was more than we’d thought possible in previous years. We found such information especially valuable within the larger social context. With all of this, I was also eager to acquire whatever knowledge was available about both the philosophy and the art of painting.

(To me, both photographs had a certain mysterious quality that I’d often found intriguing — an aura due partly to their being old, personal, and so irreplaceable, I suppose. But for a long time I’d been aware of other feelings connected with them. Jane had begun delivering the Seth material late in 1963, and soon afterwards Seth started developing his ideas on probabilities.¹ Many times while looking at the snapshots since then I’d found myself speculating about the probable realities surrounding their two young subjects. I told Jane now that I understood the course of action each of us had chosen to make physical, or “real” in our terms. But what of all the other paths our probable selves had embarked upon since those pictures had been taken? By now, did those photographs actually depict the immature images of us, the Jane and Rob we knew and had always been, or from our standpoint did they show a probable Jane, a probable Rob — two individuals who long ago had set out upon their own journeys through other realities? I wasn’t clear on what I wanted to know, and had trouble expressing myself to Jane. Maybe I just wanted Seth to comment on probabilities in a more personal way. [And added later: At the time, I had no idea that my questioning would trigger a new Seth book.²]

2. Indeed, Jane was to hold several sessions before we realized that Seth had begun a new book — see the 683rd session in this section. Seth had finished Personal Reality over six months ago. We suspended our regular sessions after that, yet were as busy as ever. My mother died in November, 1973. For some months we’d known her death was coming, and so had arranged our affairs around that irrevocable event; I spent weeks preparing the final manuscript of Personal Reality for the publisher; Jane conducted her ESP class whenever she could, and worked on her two books, Adventures in Consciousness and Dialogues of the Soul and Mortal Self in Time. She also gave a number of private Seth sessions for the two of us on a variety of subjects. We ended up calling a portion of one of those the 678th session and added it to our records, since the material, which Jane received at my request, concerned probabilities and Jerusalem. We hope to publish it some day.

The three of us got along well as children, although our natures and interests varied considerably. All of us went through grade school and high school in Sayre, a railroad town in northeastern Pennsylvania: Our father settled his family there in 1923 when he opened an auto-repair and battery shop. The separations in the family began to happen after Linden and I graduated from high school, left Sayre, and started to work our respective ways through college and an art school. Then came long periods of military service for the three of us (World War II for Linden and me). Years passed before I understood how much my parents had been affected by the departure of their children.

(I’m not interested in knocking our technology, however, but in pointing out coexisting inner factors that I’m sure are just as important. After all, our technology is responsible for the very existence of this physical book, thereby making it possible for Seth, Jane, and me to communicate with many others.

“The idea of the priestess used to fascinate me, before my own involvement in our sessions. [...] Wherever we live is significant to me; a privileged place; our domestic platform in the universe.

[...] As in the Introductory Notes, I want to stress Jane’s role as the creative artist, disseminating her personal view of a larger inner reality, and her intuitive and conscious comprehension of at least some aspects of that reality; for such understanding can easily elude our Western-oriented, materialistic, technological outlook.

Even in his poetry, before our work, Ruburt’s energy led him way beyond “himself” at certain times. [...]