“Seth material” search engine (Jane Roberts)

I am doing two things here — but you can also have the material on any picture separately if you choose to.

When that nature grew out of the framework, he left it. All the beliefs that had once seemed so legitimate were then seen as hampering, and all their defects became plain. While he followed the framework, nothing could swerve him from it, and here (touching the photo) in this child’s picture, you already have the unswerving nature, the great spontaneity, looking for a structure that will allow it growth, and yet give the illusion of safety.

The placid-looking child (in the photo) was as dogmatic and unyielding in some respects as Ruburt has ever been. Yet leaving the church framework, Ruburt fastened upon the mind as opposed to the intuitions. The child here was convinced that statues of Christ moved. Without a framework to contain that kind of experience, the growing girl began to squash it. Mystical experience became acceptable only through poetry or art, where it was accepted as creative, but not real enough to get him into trouble, or to upset the “new” framework. The new framework threw aside such superstitious nonsense. The mind would be harnessed, and art became the acceptable translator of mystical experience, and a cushion between that experience and the self. He threw some of the baby out with the bathwater.

(Intently:) Ruburt here chose the writing structure, and has stuck to it as unswervingly as he once stuck to the church, yet always seeking a new framework. For a while he idealized you. Your guidance and strength were his framework. When it became apparent that you were also human, and not a framework, he became frightened. When you encouraged the emergence and expression of his mysticism, then you could no longer act, he felt, as a framework to contain it. By then it seemed to threaten the joint structure of your lives. He knew intuitively that you also used artistic creation as a buffer between yourself and mystical expression.

[...] Without going into Seth’s ideas that time is simultaneous, or that any endeavor is creative, the kinds of origins I’m discussing here wouldn’t have any beginning or end. [...]

[...] I’ve slightly rearranged excerpts from that session for presentation here:)

[...] No matter whether it’s natural or not …” Rather reluctantly, she agreed to let me present that personal material here; but only, I think, because she understood my desire to give what I consider to be pertinent background material for the Seth books. [...]