“Seth material” search engine (Jane Roberts)

(10:31. Jane came out of trance very easily and quickly, as she usually does. The speed of her delivery for Seth has been average, which to me means that I’d been able to just comfortably keep up with my verbatim “shorthand” notes. Jane remembered little of what she’d said, yet now she felt the emotional impact of the material in her stomach — the reaction she often gets, she told me, when the information is of a personal or “charged” nature.

You see his joyful potential, and he knows that you do. Sometimes he feels lost, however, as an emotional human being, groping toward that potential, and he needs to be comforted. As you know now, comforting him can be frightening to you, because it returns you both to deep emotional realizations and feelings that you sublimate in your paintings, and even to mystical experiences that you also channel through your work.

Your mother felt, then, that each played a fitting part in the marriage, in that your father had in her eyes great prospects, and she had given him two sons. It was only later that she felt he had not fulfilled his part of the bargain, and that you began to feel insecure. She had forced herself to focus all of her great emotional power into the marriage structure as they both understood it; but your father would not concentrate his own abilities into the cultural and financial structure as he had agreed to do in the tacit contract.

Always, when Jane and I present personal material in “Unknown” Reality, we have several things in mind. We not only want to give necessary background information relative to the sessions themselves, but to offer glimpses into the very complicated emotional and physical forces that lie beneath close long-term relationships. We think Seth’s comments about our situations can help the reader better understand his or her own beliefs, motives, and desires.