“Seth material” search engine (Jane Roberts)

It’s taken us some years to understand that behind Jane’s symptoms lay her efforts to understand and express the very strong creative energy she’s sensed within herself since childhood. Yet the conflict that developed between her writing self and her mystical self, as explained by Seth in Personal Reality, was only one facet of her intuitive drive toward that expression: As Jane matured, she realized that there were other challenges for her to contend with too. Among them were the resolution of some old family relationships — and nowhere in this note am I talking about past lives or probable lives, but just the working out of hard questions rooted in this present physical reality. From Seth and ourselves we’ve accumulated much unpublished material about Jane’s symptoms and attendant matters. The bulk of it is often applicable to others, and eventually she may write a book about the whole subject. Should she do so, it would certainly be a history of one person’s long efforts to grapple as fully as possible — and not always successfully — with her own human qualities. But I also think that in many ways it would be her most illuminating work. She fully accepts the idea that she creates her own reality.

10. I gave up my commitment to commercial art in 1953, when I was 34 years old. My intuitive desire to do so had been growing slowly for several years. The act of separation finally became conscious and deliberate when I moved to a small community near Saratoga Springs, N.Y. (where Jane lived), to temporarily help an artist-writer friend produce a syndicated “comic” strip. This was the last commercial work I was to do for some time; I finally understood that I was simply more interested in painting pictures than in doing anything else. Since I believe that each of us creates our own reality in the most precise terms, it can hardly be a coincidence that at this time of decision my friend introduced Jane and me — for she was just as devoted to writing as I was to painting.

Seth has discussed the members of the Butts family at times, including some of their reincarnational aspects. Six months before starting “Unknown” Reality, however, he made a few remarks that I’ve applied ever since to life in our physical reality: “Each person chooses his or her parents, accepting in terms of environment and heredity a bank of characteristics, attitudes, and abilities from which to draw in physical life. There is always a reason, and so each parent will represent to each child an unspeakable symbol, and often the two parents will represent glaring contrasts and different probabilities, so that the child can compare and contrast divergent realities … Your two brothers also chose the family situation. Each parent [both of whom are now deceased] represented opposites to them — but individual ones, and so they saw your parents differently [than you did]. Do not lose contact with them….”

(To me, both photographs had a certain mysterious quality that I’d often found intriguing — an aura due partly to their being old, personal, and so irreplaceable, I suppose. But for a long time I’d been aware of other feelings connected with them. Jane had begun delivering the Seth material late in 1963, and soon afterwards Seth started developing his ideas on probabilities.¹ Many times while looking at the snapshots since then I’d found myself speculating about the probable realities surrounding their two young subjects. I told Jane now that I understood the course of action each of us had chosen to make physical, or “real” in our terms. But what of all the other paths our probable selves had embarked upon since those pictures had been taken? By now, did those photographs actually depict the immature images of us, the Jane and Rob we knew and had always been, or from our standpoint did they show a probable Jane, a probable Rob — two individuals who long ago had set out upon their own journeys through other realities? I wasn’t clear on what I wanted to know, and had trouble expressing myself to Jane. Maybe I just wanted Seth to comment on probabilities in a more personal way. [And added later: At the time, I had no idea that my questioning would trigger a new Seth book.²]

[...] As events worked out, Seth was halfway through Volume 1 of “Unknown” Reality before I realized that these supplementary notes would work well as the first appendix in the first volume. [...] As in the Introductory Notes, I want to stress Jane’s role as the creative artist, disseminating her personal view of a larger inner reality, and her intuitive and conscious comprehension of at least some aspects of that reality; for such understanding can easily elude our Western-oriented, materialistic, technological outlook.

[...] She was simply herself, and her sense of self, with her individual abilities and appreciation of the world she created and reacted to, grew in a very natural manner as she matured. [...]

2. The mystical way is one of the natural feedback systems that operate between the body and the psyche, as Seth reminds us in Chapter 10 of Personal Reality. [...]

[...] Few even wonder if it can be done … The visions that don’t agree with the various religious and mystical dogmas, that aren’t couched in terms of Christ, Jehovah, or Buddha, might well represent holes in the official picture through which a glimmer of inner reality seeps…. [...]