2 results for (book:ur1 AND session:679 AND stemmed:artist)
mystical
Linden
photograph
n.y
church
He leaped, however, from the framework of the church into another framework, one in which mysticism was experienced secondhand, under the guise of artistic production. Idea Construction7 literally shattered that framework.
The writing ability would follow as its handmaiden. In this world the artistic abilities were put first, but the mystical nature was given greater chances to expand and develop. And both were given the opportunity and the challenge of shattering old, historic frameworks, and of rising beyond them.
(Intently:) Ruburt here chose the writing structure, and has stuck to it as unswervingly as he once stuck to the church, yet always seeking a new framework. For a while he idealized you. Your guidance and strength were his framework. When it became apparent that you were also human, and not a framework, he became frightened. When you encouraged the emergence and expression of his mysticism, then you could no longer act, he felt, as a framework to contain it. By then it seemed to threaten the joint structure of your lives. He knew intuitively that you also used artistic creation as a buffer between yourself and mystical expression.
(11:05.) He had you to consider. This experience of his was taking time from your art as well as his own, to his way of thinking. At the same time, the mystical nature rejoiced at its opportunity, and sensed its potential. Ruburt was determined to go ahead (louder) — he was also determined to keep the old structures and to ignore the cracks in them. In part his loyalty to you was connected, and his responsibility as he saw it to keep you focused as an artist, and to let nothing distract you. Yet here he was distracting you.
mystical
grandfather
religious
Burdo
daemons
[...] As in the Introductory Notes, I want to stress Jane’s role as the creative artist, disseminating her personal view of a larger inner reality, and her intuitive and conscious comprehension of at least some aspects of that reality; for such understanding can easily elude our Western-oriented, materialistic, technological outlook.
(Since Jane began delivering the Seth material, I’ve become more and more interested in questions about the origins of creative [meaning artistic] endeavors. [...]