“Seth material” search engine (Jane Roberts)

Seth began dictating The “Unknown” Reality: A Seth Book, in the 679th session for February 4, 1974, and finished it with the 744th session for April 23, 1975. In the beginning we anticipated another intriguing Seth book, the successor to Seth Speaks and The Nature of Personal Reality. We thought the new work would probably be a long one, but we hardly expected that it would require publication in two volumes.

The firm decision to do this was made when we were visited by Jane’s editor at Prentice-Hall, Tam Mossman, and a business colleague who accompanied him. By then it was obvious that in a couple of weeks Seth would be through with “Unknown” Reality, as we’d taken to calling it. For some time all of us present had been aware that as a single volume this new work would be more massive than we wanted it to be. Jane and I were really pleased, then, to get the official word. Not only would the expanded format be something out of the ordinary in itself, but it meant that with two volumes I’d have the room I needed for notes and references; excerpts from Jane’s ESP class sessions, as well as from “regular” sessions dated before and after the production time of “Unknown” Reality; a little of Jane’s poetry; and appendixes — all of which I thought would add extra dimensions of consciousness to the books. (And, of course, I couldn’t begin these notes until such a decision had been made.)

Now I’d like to briefly comment on the handling of the notes, excerpts, and other such matter. After Jane began delivering this work it soon became apparent that my notes for it were going to be longer than they are in Seth Speaks and Personal Reality. The very way Seth was presenting his material required this. Jane and I liked the idea because it meant something different from the two previous Seth books, but at the same time I was concerned that the notes would become too prominent. (I felt this way even though Seth told me in a private session in June, 1974: “The notes will take care of themselves. Do not worry.”)

Once we’d decided to publish in two volumes, Jane, Tam, and I agreed that we didn’t want to move all of the supplementary data to the back of each book, as is often done in such cases. Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.

As in Seth Speaks and Personal Reality, the usual notes are presented at break times, but I’ve indicated the points of origin of what would ordinarily be footnotes by using consecutive (superscription) numbers within the text of each session; then I’ve grouped the actual notes at the end of the session for quick reference. For consistency’s sake, these notes are printed in the same smaller type throughout both volumes. Footnotes will be found “in place” only when they refer to a specific appendix in the same book. So for the most part, these approaches keep the body of each session free of interruptions between breaks.

I averaged 40 of the sessions, just the parts devoted to dictation, for two things: the time Jane spent in trance only, and her trance time plus relevant break times. I obtained figures of 1:39 and 2:02 hours respectively. Then I multiplied each of these by 65. I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. For she completed the two volumes of “Unknown” Reality in a total trance time of 90:35 hours, or a total trance-plus-break time of 131:30 hours (sums which translate roughly into times of 45 hours and 65 hours per book). Keep in mind that these figures result from averages, and that the remaining 25 sessions would yield very similar results, since they include no extremes of brevity or length. So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. For comparison, think of one week as consisting of 168 hours.

Do I think that Jane, in trance, could actually deliver a complete, book-length manuscript in just 45 hours? The question must be hypothetical, but I’m sure she could as far as having Seth’s material available is concerned; she’d need only the necessary physical strength. Even now, while speaking for Seth she can easily outtalk my writing capacity by many hours. The information from Seth would be there. The work produced would be different from the “same” work delivered over a longer time. Seth wouldn’t have our current daily activities to draw upon for some of his analogies, for instance, but in such cases I think he’d either call upon similar episodes from our pasts, or cast his material in different ways — which would yield the same results.

Here’s Seth from the 750th session, held on June 25, 1975, two months after he finished Volume 2. In it he not only sums up his motives in producing “Unknown” Reality, but comments on another one of his basic ideas that I think it important to stress every so often; this time, perception is involved. “The ‘Unknown’ Reality was written to give … individuals glimpses into alternate patterns of reality. It was meant to serve as a map that would lead, not into another objectified universe per se, but into inner roads of consciousness. These inner roads or strands of consciousness bring elements into play so that it becomes possible to realize that the content of a given objectified universe may actually be perceived quite differently. You are part of what you perceive. When you alter the focus of your perception you automatically change the objectified world. It is not simply that you perceive it differently while it remains the same, regardless of your experience. The act of perception itself helps form the perceived event and is a part of it.”

“The ‘Unknown’ Reality itself is a product of the unknown reality of the mind, of course, since I produced it entirely in a trance state, as Seth. In a way the two volumes are the products of an inner psychic ‘combustion’ — the spark that is lit in our world, as Seth’s reality strikes mine — or vice versa. For me, this is an accelerated state. I would compare it to a higher state of wakefulness rather than to the sleep usually associated with trance — but a different kind of wakefulness, in which the usual world seems to be the one that is sleeping. My attention is not blunted. It is elsewhere.