“Seth material” search engine (Jane Roberts)

I started the first rough draft for these notes on April 16, 1975. Although they bear my name, before I was finished with them I’d had plenty of help from my wife, Jane Roberts, and from Seth, the nonphysical entity who speaks through her while she’s in trance. In fact, Jane and Seth are the ones who so beautifully bring these notes to their conclusion; and in that order — Jane with some excellent material about her relationship with Seth, and Seth himself with his new letter to correspondents. Yet Jane isn’t particularly turned on by dates, session numbers, information about footnotes, and some of the other material I’ll be discussing here.

I averaged 40 of the sessions, just the parts devoted to dictation, for two things: the time Jane spent in trance only, and her trance time plus relevant break times. I obtained figures of 1:39 and 2:02 hours respectively. Then I multiplied each of these by 65. I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. For she completed the two volumes of “Unknown” Reality in a total trance time of 90:35 hours, or a total trance-plus-break time of 131:30 hours (sums which translate roughly into times of 45 hours and 65 hours per book). Keep in mind that these figures result from averages, and that the remaining 25 sessions would yield very similar results, since they include no extremes of brevity or length. So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. For comparison, think of one week as consisting of 168 hours.

Do I think that Jane, in trance, could actually deliver a complete, book-length manuscript in just 45 hours? The question must be hypothetical, but I’m sure she could as far as having Seth’s material available is concerned; she’d need only the necessary physical strength. Even now, while speaking for Seth she can easily outtalk my writing capacity by many hours. The information from Seth would be there. The work produced would be different from the “same” work delivered over a longer time. Seth wouldn’t have our current daily activities to draw upon for some of his analogies, for instance, but in such cases I think he’d either call upon similar episodes from our pasts, or cast his material in different ways — which would yield the same results.

“The ‘Unknown’ Reality itself is a product of the unknown reality of the mind, of course, since I produced it entirely in a trance state, as Seth. In a way the two volumes are the products of an inner psychic ‘combustion’ — the spark that is lit in our world, as Seth’s reality strikes mine — or vice versa. For me, this is an accelerated state. I would compare it to a higher state of wakefulness rather than to the sleep usually associated with trance — but a different kind of wakefulness, in which the usual world seems to be the one that is sleeping. My attention is not blunted. It is elsewhere.

“As Jane, I’m not discarded when I’m in such a trance. Yet I step out of my Jane-self in some indescribable way, and step right back into it when the session is over. So there must be another ‘I’ who leaves Jane patiently waiting at the shore while ‘I’ dive headlong into those other dimensions of experience and identity. Once the almost instant transformation is over, ‘I’ become Seth or Seth becomes what I am. And in that state, the conditions of perception are those native to other lands of consciousness than ours.

“Such sessions never wear me out. Instead, I’m often more refreshed than I was earlier. Usually I have little idea of time. As Seth I may speak for an hour, but when I ‘snap back’ I’ll look at the clock in surprise, thinking that perhaps 15 minutes have passed at most. The trance is not static, though. It has gradations and characteristics. These are almost impossible to explain, but the state isn’t always the same — it has peaks and valleys, psychological colorations and intensities that mark its nature.

“The trance state is characterized by a feeling of inexhaustible energy, emotional wholeness, and subjective freedom. At times Seth’s voice is very loud and powerful. Even in trance I’m aware of this, and I’m swept along in its energy. In the first years of my mediumship Seth’s voice and accent seemed very odd to me, whether I heard myself speaking for him during sessions or listened to tapes. But in the trance, what is known is known. Returning to my usual condition, the words that I’ve just spoken as Seth vanish in dreamlike fashion. Although I’ve read “Unknown” Reality since it was finished, and had looked portions of it over during the time of its production, it seems alien to me in the strangest fashion.

“I appear to be more than ordinarily opaque, as if a part of me refuses any conscious consideration with my trance manuscripts; perhaps so as not to confuse myself. For one thing, I like to keep the boundaries of my subjective states separate; it seems like an economical and practical way to handle exotic conditions as naturally and easily as possible. The Seth state remains inviolate in its fashion. So does the Jane state.