1 result for (book:ur1 AND heading:"introductori note by robert f butt" AND stemmed:sum)
[... 24 paragraphs ...]
I averaged 40 of the sessions, just the parts devoted to dictation, for two things: the time Jane spent in trance only, and her trance time plus relevant break times. I obtained figures of 1:39 and 2:02 hours respectively. Then I multiplied each of these by 65. I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. For she completed the two volumes of “Unknown” Reality in a total trance time of 90:35 hours, or a total trance-plus-break time of 131:30 hours (sums which translate roughly into times of 45 hours and 65 hours per book). Keep in mind that these figures result from averages, and that the remaining 25 sessions would yield very similar results, since they include no extremes of brevity or length. So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. For comparison, think of one week as consisting of 168 hours.
[... 16 paragraphs ...]
Here’s Seth from the 750th session, held on June 25, 1975, two months after he finished Volume 2. In it he not only sums up his motives in producing “Unknown” Reality, but comments on another one of his basic ideas that I think it important to stress every so often; this time, perception is involved. “The ‘Unknown’ Reality was written to give … individuals glimpses into alternate patterns of reality. It was meant to serve as a map that would lead, not into another objectified universe per se, but into inner roads of consciousness. These inner roads or strands of consciousness bring elements into play so that it becomes possible to realize that the content of a given objectified universe may actually be perceived quite differently. You are part of what you perceive. When you alter the focus of your perception you automatically change the objectified world. It is not simply that you perceive it differently while it remains the same, regardless of your experience. The act of perception itself helps form the perceived event and is a part of it.”
[... 22 paragraphs ...]