“Seth material” search engine (Jane Roberts)

I started the first rough draft for these notes on April 16, 1975. Although they bear my name, before I was finished with them I’d had plenty of help from my wife, Jane Roberts, and from Seth, the nonphysical entity who speaks through her while she’s in trance. In fact, Jane and Seth are the ones who so beautifully bring these notes to their conclusion; and in that order — Jane with some excellent material about her relationship with Seth, and Seth himself with his new letter to correspondents. Yet Jane isn’t particularly turned on by dates, session numbers, information about footnotes, and some of the other material I’ll be discussing here.

Seth began dictating The “Unknown” Reality: A Seth Book, in the 679th session for February 4, 1974, and finished it with the 744th session for April 23, 1975. In the beginning we anticipated another intriguing Seth book, the successor to Seth Speaks and The Nature of Personal Reality. We thought the new work would probably be a long one, but we hardly expected that it would require publication in two volumes.

The firm decision to do this was made when we were visited by Jane’s editor at Prentice-Hall, Tam Mossman, and a business colleague who accompanied him. By then it was obvious that in a couple of weeks Seth would be through with “Unknown” Reality, as we’d taken to calling it. For some time all of us present had been aware that as a single volume this new work would be more massive than we wanted it to be. Jane and I were really pleased, then, to get the official word. Not only would the expanded format be something out of the ordinary in itself, but it meant that with two volumes I’d have the room I needed for notes and references; excerpts from Jane’s ESP class sessions, as well as from “regular” sessions dated before and after the production time of “Unknown” Reality; a little of Jane’s poetry; and appendixes — all of which I thought would add extra dimensions of consciousness to the books. (And, of course, I couldn’t begin these notes until such a decision had been made.)

Seth presented his sessions for “Unknown” Reality as usual, but dispensed with any chapter framework. He did group his material into six sections, though, with headings. As he told us in the 743rd session, a few days after the visit of Tam and his associate: “This book had no chapters [in order] to further disrupt your accepted notions of what a book should be. There are different kinds of organizations present, however, and in any given section of the book, several levels of consciousness are appealed to at once.” Seth gave no headings for individual sessions, so after each one as it’s listed in the Table of Contents (in each volume), Jane plans to insert a few words indicating at least some of the subjects discussed in that session.

Seth himself said nothing about publishing “Unknown” Reality in one volume, two volumes, or even more, while he was producing it. He referred to it as one unit until the very last session, the 744th, when he said in answer to a question I asked “The Seth material is endless. I organize it for your benefit. If you want to divide it into two volumes, that is fine. You will find several points where this can be done …” In our final view, however, the obvious point of division is also the best one: three sections in each volume. I’ll note a little more about this natural point of separation in the Epilogue of this book.

I’m sure that that “energy personality essence,” as Seth calls himself, regarded with some amusement our gropings about how best to publish his work as the sessions began to pile up. I think that basically he was unconcerned with ideas of length or time; that Jane’s and my own willingness to continue delivering and recording the body of the material were the true arbiters of its length. In that sense, then, the creative processes involved with these two volumes were endless — at least until Jane and I called a halt to them for sheer physical reasons. (Those processes are still without end, of course, as is all creativity.)

We think now that “Unknown” Reality could continue for the rest of our lives, really. In other, larger respects, it could go on for centuries. For all we know in ordinary conscious-mind terms at this “time,” there could be a third volume to the set (as Jane herself speculated in the 730th session, in Section 6), and a fourth and fifth….

Now I’d like to briefly comment on the handling of the notes, excerpts, and other such matter. After Jane began delivering this work it soon became apparent that my notes for it were going to be longer than they are in Seth Speaks and Personal Reality. The very way Seth was presenting his material required this. Jane and I liked the idea because it meant something different from the two previous Seth books, but at the same time I was concerned that the notes would become too prominent. (I felt this way even though Seth told me in a private session in June, 1974: “The notes will take care of themselves. Do not worry.”)

Once we’d decided to publish in two volumes, Jane, Tam, and I agreed that we didn’t want to move all of the supplementary data to the back of each book, as is often done in such cases. Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.

As in Seth Speaks and Personal Reality, the usual notes are presented at break times, but I’ve indicated the points of origin of what would ordinarily be footnotes by using consecutive (superscription) numbers within the text of each session; then I’ve grouped the actual notes at the end of the session for quick reference. For consistency’s sake, these notes are printed in the same smaller type throughout both volumes. Footnotes will be found “in place” only when they refer to a specific appendix in the same book. So for the most part, these approaches keep the body of each session free of interruptions between breaks.

The appendix idea worked well in both The Seth Material and Seth Speaks. Here in “Unknown” Reality the individual excerpt or session in an appendix, with whatever notes it may have, is usually pretty complete in itself. These pieces can be read at any time, but I prefer that the reader go over each one when it’s first mentioned in a footnote, just as he or she ought to check out all other reference material in order throughout both volumes.

Without carrying the idea too far, I designed the notes and appendixes so that to some extent they reinforce each other, as the sessions themselves do. In Volume 1, I refer to certain sessions — the 681st, for instance — every so often because in them Seth comes through with key concepts that should be stressed.

As “Unknown” Reality progresses into Volume 2, it’s natural that I use notes more and more often to call attention to earlier sessions. When those sessions are in Volume 1, think of that book as a separate entity used for reference in the same way that Seth Speaks, Adventures in Consciousness, or any of Jane’s other books are. At the same time, in an effort to build some mental bridges between the two parts of “Unknown” Reality, I’ve made it a point occasionally to lift something out of one volume for inclusion in the other, or at least to include that kind of reference.

In the notes I’ve tried to say exactly what I mean, no more and no less, and to watch out for unwitting implications. Things can get complicated, though, and at times while preparing these volumes I found myself wondering just how to make clear certain points of reference without leaving the reader confused by dates, session numbers, or other matter. Although I think my system of presentation has a kind of order, still it’ll take study at times, and I can only ask the reader to patiently go along. I don’t believe such instances are too many.

I’ve noted the time every so often during each session to show how long it takes Jane to deliver a particular passage (and shortly I’ll explore further the time elements involved with the production of “Unknown” Reality). For obvious reasons I’ve deleted most of Seth’s instructions for punctuating his material, beyond leaving a few examples in place at the start of his Preface, or in an occasional session. But Seth is far short of overdoing such directions. Once in a while Jane or I recast his sentence structure for clarity’s sake, or we eliminate a repetitive phrase — for all of this is verbal work as opposed to prose work, which can be easily revised on the spot. Except for such changes the material is presented as received throughout both of these volumes. Whenever anything is deleted from a session — personal information, say — it’s always indicated; occasionally such material is summarized.

During our book sessions, which are almost always private — held without witnesses, that is — Seth speaks at a moderate enough pace so that I can take down his dictation verbatim in my own kind of shorthand. Although it’s often hard work, I find this approach more intimate and meaningful than passively using a tape recorder; I also have time to insert my own comments as we go along. Then, later, I type the sessions. I can do this much more quickly and comfortably from my notebook than I can from a tape. As I wrote in Personal Reality, I believe that Jane’s ability to deliver Seth’s material with so few changes being made in it “says important things about these sessions.” (See my notes at the end of the 610th session, in Chapter 1 of that book.) And concerning my objective observations of Seth himself, I’ll let my notes in the sessions build up whatever composite picture I’m able to construct.

Like the other Seth books, then, each volume of “Unknown” Reality contains not only the Seth sessions, but Jane’s and my own ideas about them, as well as our notes on the circumstances surrounding their production.

As I note in the Epilogue for this volume, Section 6 in Volume 2 contains the story of how we moved into our “hill house,” just outside Elmira, N.Y., a month before Seth completed that section — and his part in “Unknown” Reality as a whole — in April, 1975. But in October, 1974, long before our move from the two apartments we occupied in downtown Elmira, Jane started her Psychic Politics: An Aspect Psychology Book; that book is the sequel to Adventures in Consciousness, and is to be published this Fall (in 1976) by Prentice-Hall, Inc. Politics is also mentioned in the Epilogue to Volume 1 of “Unknown” Reality, and my first session notes on it show up in Section 4, in the second volume.

One can have a lot of fun with numbers. They can, for instance, be used to explore different perspectives of the same subject — in this case, time, the quality that’s just been under discussion. The two volumes of “Unknown” Reality contain 65 sessions. Jane delivered these for Seth over a period of a little more than 14½ months. This elapsed time includes more than a few weeks during which she gave no book dictation at all, of course, but I was curious to get an approximate idea of the number of hours she actually spent in producing the entire work.

I averaged 40 of the sessions, just the parts devoted to dictation, for two things: the time Jane spent in trance only, and her trance time plus relevant break times. I obtained figures of 1:39 and 2:02 hours respectively. Then I multiplied each of these by 65. I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. For she completed the two volumes of “Unknown” Reality in a total trance time of 90:35 hours, or a total trance-plus-break time of 131:30 hours (sums which translate roughly into times of 45 hours and 65 hours per book). Keep in mind that these figures result from averages, and that the remaining 25 sessions would yield very similar results, since they include no extremes of brevity or length. So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. For comparison, think of one week as consisting of 168 hours.

Every so often I’ve thought of averaging Jane’s dictation time for Seth Speaks and Personal Reality in the same way, but haven’t done so. I’m somewhat puzzled to note, however, that her very short working times for the Seth books seem to be either ignored or taken for granted by practically everyone — or, perhaps, those factors just aren’t understood in terms of ordinary linear time. Maybe I’m alone in my interest here, for even Jane doesn’t express any great curiosity about the time she has invested in the Seth material; she just delivers it. But given her abilities, I think her speed of production is a close physical approach to, or translation of, Seth’s idea that basically all exists at once — that really there is no time, and that the Seth books, for example, are “there” to be had in final form for just the tuning in. (In Section 3 of this volume, Note 2 for Session 692 contains information on another way by which we can move closer to Seth’s idea of simultaneity from our physical reality, but that method grows out of material not discussed here.)

I think it important to periodically remind the reader of certain of Seth’s basic ideas throughout both volumes of “Unknown” Reality. As an example, I’ll continue with the subject of time — but Seth’s time now — and couple it with his notions of a durability that is at the same time spontaneous and simultaneous, as he’s explained to us more than once. The durability is achieved through constant expansion in terms of value fulfillment. Part of my paragraph of commentary following the 724th session, in Volume 2, fits in here: “As he [Seth] quite humorously commented in the 14th session for January 8, 1964, ‘… for you have no idea of the difficulties involved in explaining time to someone who must take time to understand the explanation.’ Yet Seth’s simultaneous time isn’t an absolute, for, as he also told us in that session: ‘While I am not affected by time on your plane, I am affected by something resembling time on my plane … To me time can be manipulated, used at leisure and examined. To me your time is a vehicle, one of several by which I can enter your awareness. It is therefore still a reality of some kind to me [my emphasis]. Otherwise I could not utilize it in any way whatsoever.’”

The first Seth excerpt is in keeping with the idea of creating bridges between the two volumes of “Unknown” Reality by lifting something out of one for inclusion in the other. Once more from the 743rd session in Volume 2: “No book entitled The “Unknown” Reality can hope to make that reality entirely known. It remains nebulous because it is consciously unrealized. The best I can do is to point out areas that have been relatively invisible, to help you explore, actually, different facets of your own consciousness … I am well aware that the book raises many more questions than it presents answers for, and this has been my intent….”

And Jane’s intent and mine, too. Jane’s books are records of her use of certain abilities that we think are very creative; the questions she raises present us with larger fields to investigate. Ordinarily we don’t think of those questions — and challenges — as being mystical in origin, not from our Western social viewpoint. Seth discusses Jane’s early religious background, her “deeply mystical nature,” in the first session of this volume (the 679th), and I add some material on mysticism in an appendix to that session. That information is related to these introductory notes, yet it should be separate.

I’m more inclined to agree with what Seth told us in the 590th session in Chapter 22 of Seth Speaks: “You are not fated to dissolve into All That Is. The aspects of your personality as you presently understand them will be retained. All That Is is the creator of individuality, not the means of its destruction.” And whenever I read about conventional Eastern conceptions of a supreme spirit, I remember what Seth had to say in the 596th session in the Appendix of Seth Speaks: “I have used the term ‘expansion of consciousness’ here rather than the more frequently used ‘cosmic consciousness’ because the latter implies an experience of proportions not available to mankind at this time. Intense expansions of consciousness by contrast to your normal state may appear to be cosmic in nature, but they barely hint at those possibilities of consciousness that are available to you now, much less begin to approach a true cosmic awareness.”

Here’s Seth from the 750th session, held on June 25, 1975, two months after he finished Volume 2. In it he not only sums up his motives in producing “Unknown” Reality, but comments on another one of his basic ideas that I think it important to stress every so often; this time, perception is involved. “The ‘Unknown’ Reality was written to give … individuals glimpses into alternate patterns of reality. It was meant to serve as a map that would lead, not into another objectified universe per se, but into inner roads of consciousness. These inner roads or strands of consciousness bring elements into play so that it becomes possible to realize that the content of a given objectified universe may actually be perceived quite differently. You are part of what you perceive. When you alter the focus of your perception you automatically change the objectified world. It is not simply that you perceive it differently while it remains the same, regardless of your experience. The act of perception itself helps form the perceived event and is a part of it.”

“As Jane, I’m not discarded when I’m in such a trance. Yet I step out of my Jane-self in some indescribable way, and step right back into it when the session is over. So there must be another ‘I’ who leaves Jane patiently waiting at the shore while ‘I’ dive headlong into those other dimensions of experience and identity. Once the almost instant transformation is over, ‘I’ become Seth or Seth becomes what I am. And in that state, the conditions of perception are those native to other lands of consciousness than ours.

“Such sessions never wear me out. Instead, I’m often more refreshed than I was earlier. Usually I have little idea of time. As Seth I may speak for an hour, but when I ‘snap back’ I’ll look at the clock in surprise, thinking that perhaps 15 minutes have passed at most. The trance is not static, though. It has gradations and characteristics. These are almost impossible to explain, but the state isn’t always the same — it has peaks and valleys, psychological colorations and intensities that mark its nature.

“The trance state is characterized by a feeling of inexhaustible energy, emotional wholeness, and subjective freedom. At times Seth’s voice is very loud and powerful. Even in trance I’m aware of this, and I’m swept along in its energy. In the first years of my mediumship Seth’s voice and accent seemed very odd to me, whether I heard myself speaking for him during sessions or listened to tapes. But in the trance, what is known is known. Returning to my usual condition, the words that I’ve just spoken as Seth vanish in dreamlike fashion. Although I’ve read “Unknown” Reality since it was finished, and had looked portions of it over during the time of its production, it seems alien to me in the strangest fashion.

Once before (in January, 1973), Seth dictated a letter for us to send to those who wrote, and it can be found in the 633rd session in Chapter 8 of Personal Reality. Many people liked that letter (they still do) — and some wrote back in response to it! Because of this, Jane and I suggest that Seth’s earlier letter be read in conjunction with the one below, for as Jane says, the two complement and reinforce each other. We feel that both messages from Seth reflect much of the essence of his material, and our own circumstances and attitudes surrounding its production. Certainly we think that presenting Seth’s new letter here makes an ideal way to conclude these notes. (Seth refers to Jane by her male entity name, Ruburt; and to me as Joseph, for the same reason.)