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UR1 Introductory Notes by Robert F. Butts 9/65 (14%) volumes Unknown sections footnotes letter
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Introductory Notes by Robert F. Butts

I started the first rough draft for these notes on April 16, 1975. Although they bear my name, before I was finished with them I’d had plenty of help from my wife, Jane Roberts, and from Seth, the nonphysical entity who speaks through her while she’s in trance. In fact, Jane and Seth are the ones who so beautifully bring these notes to their conclusion; and in that order — Jane with some excellent material about her relationship with Seth, and Seth himself with his new letter to correspondents. Yet Jane isn’t particularly turned on by dates, session numbers, information about footnotes, and some of the other material I’ll be discussing here.

[... 3 paragraphs ...]

Seth himself said nothing about publishing “Unknown” Reality in one volume, two volumes, or even more, while he was producing it. He referred to it as one unit until the very last session, the 744th, when he said in answer to a question I asked “The Seth material is endless. I organize it for your benefit. If you want to divide it into two volumes, that is fine. You will find several points where this can be done …” In our final view, however, the obvious point of division is also the best one: three sections in each volume. I’ll note a little more about this natural point of separation in the Epilogue of this book.

[... 9 paragraphs ...]

In the notes I’ve tried to say exactly what I mean, no more and no less, and to watch out for unwitting implications. Things can get complicated, though, and at times while preparing these volumes I found myself wondering just how to make clear certain points of reference without leaving the reader confused by dates, session numbers, or other matter. Although I think my system of presentation has a kind of order, still it’ll take study at times, and I can only ask the reader to patiently go along. I don’t believe such instances are too many.

I’ve noted the time every so often during each session to show how long it takes Jane to deliver a particular passage (and shortly I’ll explore further the time elements involved with the production of “Unknown” Reality). For obvious reasons I’ve deleted most of Seth’s instructions for punctuating his material, beyond leaving a few examples in place at the start of his Preface, or in an occasional session. But Seth is far short of overdoing such directions. Once in a while Jane or I recast his sentence structure for clarity’s sake, or we eliminate a repetitive phrase — for all of this is verbal work as opposed to prose work, which can be easily revised on the spot. Except for such changes the material is presented as received throughout both of these volumes. Whenever anything is deleted from a session — personal information, say — it’s always indicated; occasionally such material is summarized.

During our book sessions, which are almost always private — held without witnesses, that is — Seth speaks at a moderate enough pace so that I can take down his dictation verbatim in my own kind of shorthand. Although it’s often hard work, I find this approach more intimate and meaningful than passively using a tape recorder; I also have time to insert my own comments as we go along. Then, later, I type the sessions. I can do this much more quickly and comfortably from my notebook than I can from a tape. As I wrote in Personal Reality, I believe that Jane’s ability to deliver Seth’s material with so few changes being made in it “says important things about these sessions.” (See my notes at the end of the 610th session, in Chapter 1 of that book.) And concerning my objective observations of Seth himself, I’ll let my notes in the sessions build up whatever composite picture I’m able to construct.

[... 1 paragraph ...]

The next four paragraphs contain some information on our publishing schedule that I’ll present as simply as I can. Originally I hadn’t planned on dealing with such material in these notes, but after talking it over, Jane and I agreed that it should be given here after all. There are various titles, section numbers, and dates to keep in mind, so these passages may take some rereading.

[... 9 paragraphs ...]

I think it important to periodically remind the reader of certain of Seth’s basic ideas throughout both volumes of “Unknown” Reality. As an example, I’ll continue with the subject of time — but Seth’s time now — and couple it with his notions of a durability that is at the same time spontaneous and simultaneous, as he’s explained to us more than once. The durability is achieved through constant expansion in terms of value fulfillment. Part of my paragraph of commentary following the 724th session, in Volume 2, fits in here: “As he [Seth] quite humorously commented in the 14th session for January 8, 1964, ‘… for you have no idea of the difficulties involved in explaining time to someone who must take time to understand the explanation.’ Yet Seth’s simultaneous time isn’t an absolute, for, as he also told us in that session: ‘While I am not affected by time on your plane, I am affected by something resembling time on my plane … To me time can be manipulated, used at leisure and examined. To me your time is a vehicle, one of several by which I can enter your awareness. It is therefore still a reality of some kind to me [my emphasis]. Otherwise I could not utilize it in any way whatsoever.’”

[... 1 paragraph ...]

I’ll continue these notes by quoting Seth in two short passages, then follow those with a longer contribution from Jane.

[... 14 paragraphs ...]

“Such sessions never wear me out. Instead, I’m often more refreshed than I was earlier. Usually I have little idea of time. As Seth I may speak for an hour, but when I ‘snap back’ I’ll look at the clock in surprise, thinking that perhaps 15 minutes have passed at most. The trance is not static, though. It has gradations and characteristics. These are almost impossible to explain, but the state isn’t always the same — it has peaks and valleys, psychological colorations and intensities that mark its nature.

[... 18 paragraphs ...]

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