“Seth material” search engine (Jane Roberts)

I averaged 40 of the sessions, just the parts devoted to dictation, for two things: the time Jane spent in trance only, and her trance time plus relevant break times. I obtained figures of 1:39 and 2:02 hours respectively. Then I multiplied each of these by 65. I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. For she completed the two volumes of “Unknown” Reality in a total trance time of 90:35 hours, or a total trance-plus-break time of 131:30 hours (sums which translate roughly into times of 45 hours and 65 hours per book). Keep in mind that these figures result from averages, and that the remaining 25 sessions would yield very similar results, since they include no extremes of brevity or length. So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. For comparison, think of one week as consisting of 168 hours.

“As Jane, I’m not discarded when I’m in such a trance. Yet I step out of my Jane-self in some indescribable way, and step right back into it when the session is over. So there must be another ‘I’ who leaves Jane patiently waiting at the shore while ‘I’ dive headlong into those other dimensions of experience and identity. Once the almost instant transformation is over, ‘I’ become Seth or Seth becomes what I am. And in that state, the conditions of perception are those native to other lands of consciousness than ours.

“The trance state is characterized by a feeling of inexhaustible energy, emotional wholeness, and subjective freedom. At times Seth’s voice is very loud and powerful. Even in trance I’m aware of this, and I’m swept along in its energy. In the first years of my mediumship Seth’s voice and accent seemed very odd to me, whether I heard myself speaking for him during sessions or listened to tapes. But in the trance, what is known is known. Returning to my usual condition, the words that I’ve just spoken as Seth vanish in dreamlike fashion. Although I’ve read “Unknown” Reality since it was finished, and had looked portions of it over during the time of its production, it seems alien to me in the strangest fashion.

“I appear to be more than ordinarily opaque, as if a part of me refuses any conscious consideration with my trance manuscripts; perhaps so as not to confuse myself. For one thing, I like to keep the boundaries of my subjective states separate; it seems like an economical and practical way to handle exotic conditions as naturally and easily as possible. The Seth state remains inviolate in its fashion. So does the Jane state.