“Seth material” search engine (Jane Roberts)

As “Unknown” Reality progresses into Volume 2, it’s natural that I use notes more and more often to call attention to earlier sessions. When those sessions are in Volume 1, think of that book as a separate entity used for reference in the same way that Seth Speaks, Adventures in Consciousness, or any of Jane’s other books are. At the same time, in an effort to build some mental bridges between the two parts of “Unknown” Reality, I’ve made it a point occasionally to lift something out of one volume for inclusion in the other, or at least to include that kind of reference.

However, the work we do deals with concepts that consciously we’d paid little attention to in earlier life. (I was 44 years old and Jane was 34 when she initiated the Seth material late in 1963). Jane’s early poetry, as I show in certain notes, clearly reflected her intuitive understanding of some of the concepts Seth came to elaborate upon much later. (This was true even when she was consciously unaware of what she was up to. See the verse from her early poem, Summer Is Winter, which precedes these notes.) As I see it, her task with the Seth material is to place these basic artistic ideas at our conscious service, so that their use in our daily lives can change our individual and collective realities for the better; and by “artistic ideas” here I mean the deepest, most aesthetic and practical — and, yes, mystical — truths and questions that human beings are capable of expressing, then contending with. Much of the response to her work that Jane receives by mail and telephone indicates this is happening. (That response, incidentally, will be discussed briefly at the end of these notes, when Seth’s letter to correspondents is presented.)

“The ‘Unknown’ Reality itself is a product of the unknown reality of the mind, of course, since I produced it entirely in a trance state, as Seth. In a way the two volumes are the products of an inner psychic ‘combustion’ — the spark that is lit in our world, as Seth’s reality strikes mine — or vice versa. For me, this is an accelerated state. I would compare it to a higher state of wakefulness rather than to the sleep usually associated with trance — but a different kind of wakefulness, in which the usual world seems to be the one that is sleeping. My attention is not blunted. It is elsewhere.

“When I’m Seth, I’m just a small part of his reality, maybe only the portion I can grasp, but I bask in that personified energy. When Seth turns his attention to people, addressing them or answering questions, then I sense an almost multidimensional appreciation of their worth and individuality. He understands the validity of each person, or salutes it, approaching people in an entirely different light than we do. That experience of his reaction to others leads me to suspect the existence of an emotional experience far more vivid than the one we know.