“Seth material” search engine (Jane Roberts)

It’s plain that many arguments can be brought against all I’ve written in the last four paragraphs, I suppose, yet the material in them briefly approximates the ways Jane and I look at the Seth material these days in relation to other philosophies. Especially do I like the fact that Jane’s work, her contribution to our thought, comes out of her psyche unaided by laboratories, statistics, or tests. That is, our idea of real testing consists in watching to see how the Seth material can assist in practical, everyday living. Other kinds of tests, more “formal” ones that we carried out in 1965–66, are detailed in Chapter 8 of The Seth Material; it’s easy for us to forget now that those early tests were quite successful, and could be resumed at any time. When they were held I wondered (as I still do) why the human animal, of all the creatures on earth, felt it necessary to construct laboratories in which to “prove” what it really is, what its abilities — telepathic, metabolic, or whatever — really are. This subject alone is so vast that Jane and I could write about it indefinitely, so I can barely mention it here.

[...] I’m somewhat puzzled to note, however, that her very short working times for the Seth books seem to be either ignored or taken for granted by practically everyone — or, perhaps, those factors just aren’t understood in terms of ordinary linear time. [...] But given her abilities, I think her speed of production is a close physical approach to, or translation of, Seth’s idea that basically all exists at once — that really there is no time, and that the Seth books, for example, are “there” to be had in final form for just the tuning in. (In Section 3 of this volume, Note 2 for Session 692 contains information on another way by which we can move closer to Seth’s idea of simultaneity from our physical reality, but that method grows out of material not discussed here.)

I’m more inclined to agree with what Seth told us in the 590th session in Chapter 22 of Seth Speaks: “You are not fated to dissolve into All That Is. [...] All That Is is the creator of individuality, not the means of its destruction.” [...] Intense expansions of consciousness by contrast to your normal state may appear to be cosmic in nature, but they barely hint at those possibilities of consciousness that are available to you now, much less begin to approach a true cosmic awareness.”

I’m sure that that “energy personality essence,” as Seth calls himself, regarded with some amusement our gropings about how best to publish his work as the sessions began to pile up. I think that basically he was unconcerned with ideas of length or time; that Jane’s and my own willingness to continue delivering and recording the body of the material were the true arbiters of its length. In that sense, then, the creative processes involved with these two volumes were endless — at least until Jane and I called a halt to them for sheer physical reasons. (Those processes are still without end, of course, as is all creativity.)

That energy will arouse in you your own abilities. It will lead you to insights and solutions that can be yours alone. It will put you in touch with the ground of your being — from which, eventually, all exultation and answers spring. My purpose is not to solve your problems for you, but to put you in touch with your own power. My purpose is not to come between you and your own freedom by giving you “answers,” even to the most tragic of problems. My purpose is to reinforce your own strength, for ultimately the magic of your being is well equipped to help you find fulfillment, understanding, exuberance, and peace.

However, the work we do deals with concepts that consciously we’d paid little attention to in earlier life. [...] See the verse from her early poem, Summer Is Winter, which precedes these notes.) As I see it, her task with the Seth material is to place these basic artistic ideas at our conscious service, so that their use in our daily lives can change our individual and collective realities for the better; and by “artistic ideas” here I mean the deepest, most aesthetic and practical — and, yes, mystical — truths and questions that human beings are capable of expressing, then contending with. Much of the response to her work that Jane receives by mail and telephone indicates this is happening. (That response, incidentally, will be discussed briefly at the end of these notes, when Seth’s letter to correspondents is presented.)

Although there are similarities, then, in our view there are vital differences, too, between Seth’s philosophy and that of many other organized systems. [...] We go along in our own stubborn ways, knowing that our outlooks are rooted in the Western traditions of the world, but also knowing that there exist all about us these numerous other philosophies or systems, some of them many centuries old, that the human race has created to help it explain reality. [...] (A simile I often think of here compares Eastern and Western life and thought with the right and left hemispheres of the brain; they’re separate, yet united; each half performs functions that complement and to some extent overlap those of the other, and together they operate as a whole.) But we dislike the idea of nirvana in Buddhism and Hinduism, which calls for the extinction or blowing out of individual consciousness, and its absorption into a supreme spirit, usually after a series of lives. And we object to the notion that “nature,” in those terms of linear time, has so arranged things that the individual has to pay a karmic debt in one life as the result of actions in a previous one. Why should nature punish anyone if it doesn’t punish anything? The realities of nirvana and karma are not ones that Jane and I want to create.

Here’s Seth from the 750th session, held on June 25, 1975, two months after he finished Volume 2. In it he not only sums up his motives in producing “Unknown” Reality, but comments on another one of his basic ideas that I think it important to stress every so often; this time, perception is involved. [...] It was meant to serve as a map that would lead, not into another objectified universe per se, but into inner roads of consciousness. These inner roads or strands of consciousness bring elements into play so that it becomes possible to realize that the content of a given objectified universe may actually be perceived quite differently. [...] It is not simply that you perceive it differently while it remains the same, regardless of your experience. The act of perception itself helps form the perceived event and is a part of it.”

“The ‘Unknown’ Reality itself is a product of the unknown reality of the mind, of course, since I produced it entirely in a trance state, as Seth. In a way the two volumes are the products of an inner psychic ‘combustion’ — the spark that is lit in our world, as Seth’s reality strikes mine — or vice versa. For me, this is an accelerated state. I would compare it to a higher state of wakefulness rather than to the sleep usually associated with trance — but a different kind of wakefulness, in which the usual world seems to be the one that is sleeping. My attention is not blunted. It is elsewhere.

Once we’d decided to publish in two volumes, Jane, Tam, and I agreed that we didn’t want to move all of the supplementary data to the back of each book, as is often done in such cases. Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.