“Seth material” search engine (Jane Roberts)

The firm decision to do this was made when we were visited by Jane’s editor at Prentice-Hall, Tam Mossman, and a business colleague who accompanied him. By then it was obvious that in a couple of weeks Seth would be through with “Unknown” Reality, as we’d taken to calling it. For some time all of us present had been aware that as a single volume this new work would be more massive than we wanted it to be. Jane and I were really pleased, then, to get the official word. Not only would the expanded format be something out of the ordinary in itself, but it meant that with two volumes I’d have the room I needed for notes and references; excerpts from Jane’s ESP class sessions, as well as from “regular” sessions dated before and after the production time of “Unknown” Reality; a little of Jane’s poetry; and appendixes — all of which I thought would add extra dimensions of consciousness to the books. (And, of course, I couldn’t begin these notes until such a decision had been made.)

Seth presented his sessions for “Unknown” Reality as usual, but dispensed with any chapter framework. He did group his material into six sections, though, with headings. As he told us in the 743rd session, a few days after the visit of Tam and his associate: “This book had no chapters [in order] to further disrupt your accepted notions of what a book should be. There are different kinds of organizations present, however, and in any given section of the book, several levels of consciousness are appealed to at once.” Seth gave no headings for individual sessions, so after each one as it’s listed in the Table of Contents (in each volume), Jane plans to insert a few words indicating at least some of the subjects discussed in that session.

Once we’d decided to publish in two volumes, Jane, Tam, and I agreed that we didn’t want to move all of the supplementary data to the back of each book, as is often done in such cases. Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.