“Seth material” search engine (Jane Roberts)

In Section 4, then, Seth has more to say about CU and EE units, cellular consciousness, ancient man, evolution, space travel, and other seemingly disparate subjects as he continues to develop his thesis that “biologically the species is equipped to deal with different sequences of time while still manipulating within one particular time scheme.” The reader is invited to experience his or her own “unknown reality” through the study of dreams and practice elements, and to try for psychic travel into other realities. Jane does her own traveling: The “psychic library” she’s learning to visit while in a certain state of altered consciousness is described, and the ways in which the library is related to the birth of her book, Psychic Politics (which is to be published in the fall of 1976).

One of Jane’s earlier travels through an altered state of consciousness, in September, 1972, resulted in the first session on her unique “slow” and “fast” sounds, then led into information on faster-than-light particles, black holes, white holes, and “dead” holes. The entire episode is presented in an appendix in Section 4. In another appendix I explore the relationship between Jane and Seth, using many quotes from previously unpublished sessions.

Among other information in Section 5, Seth gives considerable material designed to help the reader achieve psychic travel; related here is his session on dreams and dream photography. He also lists more practice elements, and discusses language, personhood, physics, and some of my own reincarnational experiences. Jane initiates information on “world views,” with examples: Seth defines that concept as “the view of reality” held in the immortal mind of each of us, the “living picture” that exists outside of time or space, and that can be perceived by others. Seth also offers major material on his theories involving “counterparts.” He explains in some detail how we live more than one life at a time, how “the greater self ‘divides’ itself, materializing in flesh as several individuals, with entirely different backgrounds — yet each embarked upon the same kind of creative challenge.” (And yes, I can write here that sometimes counterparts meet.)