“Seth material” search engine (Jane Roberts)

These emanations rise as naturally as breath, and there are other comparisons that can be made, in that there is a coming in and a going out, and transformation within the unit, as what is taken into the lungs, for example, is not the same thing that leaves on the exhale stroke. You could compare these units, simply for an analogy, to the invisible breath of consciousness. This analogy will not carry us far, but it will be enough initially to get the idea across. Breath is, of course, also a pulsation, and these units operate in a pulsating manner. They are emitted by the cells, for example, in plants, animals, rocks, and so forth. They would have color if you were able to perceive them physically.

They are electromagnetic, in your terms, following their own patterns of positive and negative charge, and following also certain laws of magnetism. In this instance, like definitely attracts like. The emanations are actually emotional tones. The varieties of tones, for all intents and purposes, are infinite.

The units are just beneath the range of physical matter. None are identical. However, there is a structure to them. This structure is beyond the range of electromagnetic qualities as your scientists think of them. Consciousnesses actually produces these emanations, and they are the basis for any kind of perception, both sensory in usual terms and extrasensory.

These emanations can also appear as sounds, and you will be able to translate them into sounds long before your scientists discover their basic meaning. One of the reasons why they have not been discovered is precisely because they are so cleverly camouflaged within all structures. Being just beyond the range of matter, having a structure but a nonphysical one, and being of a pulsating nature, they can expand or contract. They can completely envelop, for example, a small cell, or retreat to the nucleus within. They combine qualities of a unit and a field, in other words.

They constantly emanate out from the rock and return to it in a motion so swift it would seem simultaneous. The units meet with, and to some extent merge with, other units sent out, say, from foliage and all other objects. There is a constant blending, and also attraction and repulsion.