“Seth material” search engine (Jane Roberts)

“You must watch the pictures that you paint with your imagination,” he said, “for you allow your imagination too full a reign. If you read our early material, you will see that your environment and the conditions of your life at any given time are the direct result of your own inner expectations. You form physical materializations of these realities within your own mind.

“If you think, ‘I have a headache,’ and if you do not replace this suggestion by a positive one, then you are automatically suggesting that the body set up those conditions that will result in the continuation of the malady. I will give you a commercial that is better than your Excedrin, you see, the short headache. I will tell you how to have none at all.” This was the only touch of humor in the whole session. In a session devoted to a particular person, Seth usually goes out of his way to make a few jovial comments to set the person at his or her ease.

“You should tell yourself frequently, ‘I will only react to constructive suggestions,’ for this gives you some protection against your own negative thoughts and those of others. A negative thought if not erased will almost certainly result in a negative condition: a momentary despondency, a headache, according to the intensity of the thought.

“In other words, an action cannot be judged as impeding without a thorough knowledge of the actions that result in the makeup of any given personality. This is extremely important. To overlook this point is to risk the adoption of a more severe illness.

“All illness is almost always the result of another action that cannot be followed through. When the lines to the original action are released and the channels opened, the illness will vanish. However, the thwarted action may be one with disastrous consequences which the illness may prevent. The personality has its own logic.”

Over and over again Seth tells us that physical symptoms are communications from the inner self, indications that we are making mental errors of one kind or another. He compares the body in one session to a sculpture “never really completed, the inner self trying out various techniques on its test piece. The results are not always of the best, but the sculptor is independent of his product and knows there will be others.”