1 result for (book:tsm AND heading:"chapter seven" AND stemmed:bill)
We started the Instream tests and our own envelope tests in August of 1965. In October my first book was coming out, and Peg Gallagher, a reporter for the Elmira Star Gazette, interviewed me. I’d known her slightly in the past, but now she and her husband and Rob and I became good friends. Bill is assistant advertising director of the Star Gazette, and he and Peg were soon leaving for a vacation in Puerto Rico. We decided to set up an experiment.
We wouldn’t communicate at all through usual means. Instead, we would ask Seth if he could “tune in” on the Gallaghers during their vacation. During their trip we would substitute this experiment for our envelope tests. We knew that Peg and Bill were going to San Juan, but that was all we knew. Besides, neither Rob nor I have ever been to Puerto Rico.
[... 3 paragraphs ...]
When Peg and Bill returned, we found out that these impressions were quite legitimate. They had paid a three-dollar cab fare to go to the motel from the airport. Peg was quite angry about this, since the same ride two years earlier had cost less than two dollars. Their cab took a very sharp turn to the right. Peg and Bill remembered this vividly, not only because of the sudden turn, but also because this happened right after the driver had run through a traffic light. The turn had been so sharp that it upset them considerably. But the cab driver was not “old, rather than young.” Interestingly enough, Peg said, he did look old from the rear, though, because his neck had a peculiar rough, mottled look. It was also thick and stubby.
I was really delighted when the whole thing checked out. I saw just what I could have been expected to see had I been in the cab physically. Peg and Bill were never aware of my presence.
[... 2 paragraphs ...]
The next episode didn’t involve Seth directly, except that I was following his directions in the use of the Inner Senses. I decided to see what impressions of the Gallagher trip I could get on my own. So one morning that same week I lay down, closed my eyes, and gave myself the suggestion that I would find Peg and Bill.
[... 2 paragraphs ...]
Doors opened off the veranda, which extended the full length of the motel. I wondered if this was where the Gallaghers were staying. Instantly I knew that it was, and that the center door led to their room. Peg and Bill weren’t in sight, though. Before beginning the experiment at 11 A.M., I had set the alarm clock for 11:30. Now it rang. My consciousness returned so quickly to my body that my physical head was swimming. I sat up in dismay—couldn’t I find out more? Couldn’t I see a sign, or get a more definite idea of the location?
[... 2 paragraphs ...]
Talk about being excited! Immediately I drew a diagram of the motel and surrounding area. I couldn’t wait for the Gallaghers to return, so I could check this and the Seth impressions. I asked Peg to draw a diagram of their motel and its nearby neighborhood. Peg’s diagram matched mine! My description of the motel was correct, including the center door that led to their room. The motel was on St. Thomas, an island near Puerto Rico. Peg and Bill were there the day of my experiment, and the following day.
Not only that, but the man I saw was one Bill noticed on both mornings, specifically because he wore business clothes. The man was a native—another reason Bill noticed him. I didn’t know this, having seen him from the rear. The building he’d entered had been the post office.
[... 6 paragraphs ...]
Sometimes Rob prepared the envelopes just before a session, and sometimes way ahead of time. He used all kinds of things for test items, some that I had seen, recently or in the past, and some that I had never seen. He might use a letter, for example, that had come the day before, and which I had read, or a bill from several years back, or an item he picked up that I had never seen, or an envelope prepared by a friend—in which case the contents were unknown even to Rob. Pieces of paper Rob picked up in the streets, leaves, beer coasters, chunks of hair, photographs, sketches, bills—all were used at one time or another. Sometimes Rob chose items specifically because they had strong emotional charges connected with them. Other times he purposely used neutral objects. We wanted to see if Seth did better with certain kinds of targets than others.
[... 9 paragraphs ...]