“Seth material” search engine (Jane Roberts)

Those ideas were only a touchstone for what would come later. The manuscript finally consisted of about a hundred pages, including new definitions of old terms. For example: “The subconscious is the threshold of idea’s emergence into the individual conscious mind. It connects the entity and the individual. … The physical body is the material construction of the entity’s idea of itself under the properties of matter. … Instinct is the minimum ability for idea construction necessary for physical survival. … The present is the apparent point of any idea’s emergence into physical matter.”

I think that this experience and the manuscript were extensions of the creative subconscious processes that are behind each creative act: normal creativity suddenly “turned on” or stepped up to an almost incredible degree. Enough energy was generated in that evening to change the direction of my life and my husband’s. For this reason I believe such experiences to be of utmost importance psychologically. I’m certain that the affair set off the emergence of my own unsuspected “psychic” abilities and acted as a trigger for the production of the Seth Material.

“Is all of this Jane’s subconscious talking?” Rob asked.

SUBCONSCIOUS IS A CORRIDOR. WHAT DIFERENCE DOES IT MAKE WHICH DOOR YOU TRAVEL THROUGH?

“Maybe it’s your subconscious,” I said to Rob, but he was already asking another question:

“Maybe he’s a part of both of our subconscious minds in a way we don’t understand,” I said.

“When Bill saw the image and reocgnized its presence, the fragment itself seemed to have a dream. The entity operates its fragments in what you would call a subconscious manner, that is, without conscious direction. The entity gives the fragment independent life, then the entity more or less forgets the fragment. When a momentary lapse of control occurs, they both come face to face. It’s as impossible for the entity to control fragment personalities as for the conscious mind to control the body’s heartbeat.”