“Seth material” search engine (Jane Roberts)

The year 1963 had been a poor one for us, though. Rob had severe back trouble, and hardly felt well enough to paint when he came home from work. I was having difficulties settling on another book idea. Our old pet dog, Mischa, had died. Perhaps these circumstances made me more aware than usual of our human vulnerability, but certainly many people have had difficult years with no resulting emergence of psychic phenomena. Perhaps, all unknowing, I had reached a crisis and my psychic abilities awoke as the result of inner need.

Those ideas were only a touchstone for what would come later. The manuscript finally consisted of about a hundred pages, including new definitions of old terms. For example: “The subconscious is the threshold of idea’s emergence into the individual conscious mind. It connects the entity and the individual. … The physical body is the material construction of the entity’s idea of itself under the properties of matter. … Instinct is the minimum ability for idea construction necessary for physical survival. … The present is the apparent point of any idea’s emergence into physical matter.”

I think that this experience and the manuscript were extensions of the creative subconscious processes that are behind each creative act: normal creativity suddenly “turned on” or stepped up to an almost incredible degree. Enough energy was generated in that evening to change the direction of my life and my husband’s. For this reason I believe such experiences to be of utmost importance psychologically. I’m certain that the affair set off the emergence of my own unsuspected “psychic” abilities and acted as a trigger for the production of the Seth Material.

Apparently I’d reached a point where these abilities were ready to show themselves, so they did. Because of my early training as a writer, they emerged through words, rather than, say, visions, and in an experience that wouldn’t frighten me too much.

I’d also like to mention here that I believe psychic ability itself is an outcropping or extension of creative abilities, inherent in each of us, and therefore normal rather than supranormal. As you’ll see later, however, I do think that these abilities are attributes of another portion of our personalities with which we’re relatively unfamiliar. I think, then, that normal creative abilities, stepped up, tune us into other dimensions of reality.

“I know,” Rob said. “But you’re interested in dreams, certainly after those two particular ones you had. And what do you call that experience you had last month? Besides, the books we’ve seen have dealt only with well-known mediums. But what about ordinary people? What if everyone has those abilities?” I stared at him. He’d turned quite serious. “Couldn’t you work out a series of experiments and try them out? Use yourself as a guinea pig.”

The very next day I began. Within a week I’d developed a group of experiments designed to discover whether or not the ordinary person could develop extrasensory abilities. I did an outline for the book and shipped it off to my publisher, but without any great hopes.