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TSM Chapter Four 5/40 (12%) voice counteraction Rob parapsychologist hoarseness
– The Seth Material
– © 2011 Laurel Davies-Butts
– Chapter Four: The “Seth Voice”

[... 2 paragraphs ...]

The session began as usual, with no hint of the voice changes that would occur. I’d like to mention here that by now we had read several books on extrasensory perception, but still hadn’t come across anything about voice communication. We’d read about the Patience Worth case, where a Mrs. Curren produced novels and poetry through the Ouija board and automatic writing, but we were completely unfamiliar with the idea of anyone’s speaking for another personality. It had never occurred to either of us that my voice might change in any way.

[... 25 paragraphs ...]

I don’t recall any of this, but according to Rob I then got a cigarette and sipped a glass of wine. “If I could have a glass of wine with you and enjoy it, I would. If you want to talk for a few moments without the necessity of taking notes, do so. I’ll certainly last as long as Ruburt will, and a lot longer. And if ever your wife’s features change some night as we talk, I suggest you do not mention it to her until the end of the session.”

Seth went on until past midnight. The remark about the change in my features was included in the notes, of course, but it was otherwise forgotten until a year later when it was brought rather forcibly to mind. When the session was over, my own voice was still fresh and clear, with no trace of the earlier difficulties. I wasn’t even tired.

[... 1 paragraph ...]

We didn’t realize either that the emergence of the Seth voice completed the psychic structure through which we would receive the Seth Material, and through which Seth’s personality would express itself. From this session on, there was always some voice change during sessions, but the deep booming tones were the exception rather than the rule for some time to come. On occasion there is the sense of really tremendous power behind the voice; and my own voice is never strained. Much later, Seth told us that this psychic energy can be translated into sound like this, or it can be used for other purposes. Now when Seth gives clairvoyant material, for example, the voice is seldom loud. The energy is used to gather the data instead. (As you will see later in this book, that energy can also be a springboard into other dimensions.)

[... 2 paragraphs ...]

Talk about psychic explosions! Our first Ouija board session had been on December 2, 1963. By the end of January we had twenty sessions and some 230 pages of typewritten material. We knew that the voice change was significant, of course, but we didn’t realize that the power behind the voice was the more important issue. We saw that the sessions had a kind of order, but its significance escaped us. Actually, the structure provided continuity and stability, but also was flexible enough to nurture latent developments of which we were then completely unaware. Within it my own training as a medium would take place safely.

[... 4 paragraphs ...]

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