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TSM Author’s Introduction 6/39 (15%) paranormal God students Carol advice
– The Seth Material
– © 2011 Laurel Davies-Butts
– Author’s Introduction

[... 10 paragraphs ...]

Seth spoke through me for over two hours, so quickly that the students had trouble taking notes. His joy and vitality were obvious. The personality was not mine. Seth’s dry, sardonic humor shone from my eyes. The muscles of my face rearranged themselves into different patterns. My normally feminine gestures were replaced by his. Seth was enjoying himself in the guise of an old man, shrewd, lively, quite human. When he spoke of the joy of existence, ringing even through such a voice as his, that deep voice boomed. Later one of the students, Carol, told me that although she knew the words were coming from my mouth, still she felt that they were coming from all over, from the walls themselves.

[... 4 paragraphs ...]

As of December 1969, my husband, Rob, and I have held over 500 Seth sessions, over a period of five years. My first book in this field, How to Develop Your ESP Power, briefly explained the circumstances leading to my interest in ESP, and the experiments that led to my introduction to Seth. Since then, Seth has demonstrated telepathic and clairvoyant abilities on occasions too frequent to mention. Through sessions he has helped friends, strangers, and students, and by following his instructions my husband and I are learning to develop our own psychic potentials.

[... 6 paragraphs ...]

Before this I had suspected that the reincarnational data was a delightful dish of fantasy cooked up by my own subconscious. When all this began, in fact, I wasn’t at all sure that we survived death once, much less over and over again.

[... 4 paragraphs ...]

Neither of us was bitter about such a God’s apparent injustices—we didn’t pay Him that much attention. I had my poetry; Rob, who is an artist, had his painting. Each of us felt a strong sense of contact with nature. No one was more surprised than I was, then, to find myself quite abruptly speaking for someone who was supposed to have survived death. I berated myself at times, thinking that even my Irish grandmother would have found spirits in the living room rather hard to take—and I used to think she was superstitious! A surviving soul seemed part and parcel of the adults’ nonsense I’d thought I’d escaped, thanks to a college education, a quick mind, and a fine dose of native rebelliousness. It took me a while to discover that I was being as prejudiced against the idea of survival as some others were for it. Now I realize that while I was priding myself on my open-mindedness, my mental flexibility extended only to ideas that fit in with my own preconceptions. Now I know that human personality has a far greater reality than we are usually prepared to give it. Someone has produced over fifty notebooks of fascinating material, and even at my most skeptical moments I have to accept the reality of the sessions and the material. The scope, quality, and theories of the material “hooked” us almost at once.

[... 2 paragraphs ...]

The Seth Material has completely changed my ideas of the nature of reality, and reinforced my sense of identity. No longer do I feel as I did before, that man is the slave of time, illness, decay, and at the mercy of built-in destructive tendencies over which he has no control. I feel in control of my own destiny as never before, and no longer ruled by patterns subconsciously set during my childhood.

[... 1 paragraph ...]

The purpose of this book is to introduce you to Seth and the Seth Material. Though Seth has appeared only once in a physical materialization, Rob has seen him clearly enough to paint a portrait of him that hangs in our living room (see the illustrated section). Through me, Seth has produced a continuing manuscript that runs well over five thousand double-spaced typewritten pages, in not quite five years’ time. I know many “living” persons who haven’t produced that much in a lifetime. Yet my own work continues: since the sessions began, I’ve written two books of nonfiction (not counting this one), two of poetry, and a dozen short stories. Seth certainly hasn’t “stolen” any of my own creative energy for his own purposes.

[... 5 paragraphs ...]

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