“Seth material” search engine (Jane Roberts)

(2:25. After having a cigarette after lunch, Jane started reading the session for November 20, since I hadn’t typed up any notes yet for yesterday’s events. She was disappointed at this, since she knew yesterday’s events had been significant, and she wanted to read about them. Jane has read the session before, of course, but she read it once more and did very well indeed, as good as she had the first time, saying the type was very clear and bright at times. Her reading has been consistently far better than it used to be, even when she has a comparatively rough time with it.

(2:40. While Jane was having a cigarette, Georgia came in to tell us the projected closing of Surgical 3 was now off. Georgia had indeed complained to nursing service, and in turn they had agreed to cancel the idea. No one else had been in favor of it, either. “I told them I’d refuse to be a floater,” Georgia said, meaning she didn’t want to be constantly shifted around. “Another rumor bit the dust,” I said, joking, but we were relieved.

You do innately possess that freedom in your painting—as Ruburt innately possesses that same freedom of bodily motion. The funeral parlor did indeed represent the death of old beliefs (as I’d speculated), but it also represented the negative arena that sometimes exists, it seems, in the world at large, as it impinges upon your own life and beliefs. In a way, your paintings were larger than life. In that their spontaneity so beautifully followed their own order, and the painting seemed to simply flow outward into physical existence. As in art, so in life—then both of you possess that childlike and yet wise spontaneity and freedom.