“Seth material” search engine (Jane Roberts)

(4:20. More flexing of that leg—I could see the muscles in it moving clear up to the hips. By now Jane was starting to utter cries and to breathe quite heavily as she moved. I think the cries were a mixture of frustration, tears, discomfort and anticipation. The left leg moved, particularly at the hip, again. “My body wants to do it so bad.” Now her right leg began moving more sideways to the right. Jane cried again. “That’s the first time I’ve done that. I don’t know what to do with it, it feels funny.” No doubt about it, good things were taking place, new things that had her upset and anticipatory at the same time. Her face was often screwed up into a knot.

(4:26. Now her left leg started moving sideways at a rapid pace. All of the time she was half-crying and breathing hard. She groaned and cried and lifted up her left leg again. Crying, she moved her head and shoulders against the pillow, back and forth. “Oh, my God, that’s the most I’ve done with them yet,” she said, meaning her legs. “Now the right one has pulled away from leaning against the left one. I don’t want to do any more.”

(4:32. But deliberately, she moved her right leg out to the right, away from the left one, crying all the while. I could see the muscles in the right leg flexing to some degree—a sight that’s been pretty infrequent so far.

(4:40. More crying. Left leg moving outward. Right arm circles, then both arms together. Laughing at the freedom of motion.

There was some disorientation on Ruburt’s part because of the unaccustomed motion, but he handled that well. (The crying.) His arms also showed additional freedom—and in many instances portions of his body moved with the same kind of ease that you experienced in your dream of last evening, as you painted the large portraits—