“Seth material” search engine (Jane Roberts)

(2:30. Jane ate a good lunch. Afterward I read my letter and Maude’s to her. “Your letter is terrific,” she said, an excellent piece of writing.” I hadn’t thought of it that way particularly. We discussed many possibilities swirling around the fund idea. The idea was new to Jane, of course, and I wanted to give her time to think about it. I said I’d merely write Maude a note of acknowledgement at this time anyhow. Jane said she’d also dictate a letter eventually to the group. She was very reserved about Seth possibly delivering a message for them. Our answer could range all the way from yes to no, with any combination of stops in between. I thought Seth could comment today, but I expected no detailed response there either at this time. One thing became quite clear as we talked: The fund idea abruptly led us into looking at our beliefs and motives and “work” in new ways—a valuable service right there.

You have little idea (long pause) of the magical feeling of discovery (pause) with which many of our readers regard our work.

That is why so many of them promote our work, buy books for others, and form their own kind of grass-roots organizations. (Long pause.) To some extent they have felt closed out, unable to contribute. That is why you received the letter about the fund. The fund idea represents many people’s opportunity to feel a part of our venture. They want to be able to change the world for the better to whatever extent possible. The people are definitely well-meaning, of good intent, and they welcome the idea of expending energy, time, and money on our behalf. To their way of thinking this gives many people an opportunity—

In your dream you were both persons—the young man and yourself. The height of the building represented the heightened state of awareness upon which our work rests. That work must then be “brought down” from that stage of consciousness to the ordinary one, and to the people of the world—an enterprise—

—that can appear most arduous at times, when you begin to think about the work involved, while the other part of you goes calmly on, bringing the books to the public one by one, so to speak. I do not mean by the term “rarefied atmosphere” that you live in a world superior to other people’s—only that our work is, in those terms, uncommon, highly original, and in many ways mysterious—for it confounds many of the conventionalized concepts of the daily world in which you live.

(In relation to Seth’s material on the fund, I told Jane, it seems that creativity obviously has many more facets to it than we ordinarily think—if we need or want money, for example, with it just serving as a means to an end—our doing our work—it will be provided if we’re not closed to the idea. And it doesn’t matter how it comes, as long as it’s honest—through our “earning” it in the conventional way, or whether we find it on the ground or it falls out of the sky, or someone gives it to us, or it comes through insurance, or whatever. The fund idea is an ideal case in point, being quite unexpected. As we talked Jane said the idea may even have ramifications that may touch Pete Harpending, our attorney.