“Seth material” search engine (Jane Roberts)

He knows what I am referring to. Some small portions are not as yet typed, and should be, for the typing alone of that material will act as an impetus. The entire Sinful Self material should be reviewed. He did indeed become afraid of faith itself.

(Long pause at 9:05.) He is presently encountering that kind of feeling, uncovering the reasons for it, and trying to recapture in a way the very young innocent self’s sense of faith. That faith existed even before churchly doctrine was imposed over it. He is trying to uncover his own natural faith. That attempt, of course, brings him into conflict with whatever doubts still stand in his way.

I will have further pertinent material myself to add to the overall category of Ruburt’s situation, but I am simply making this evening’s session to give him a sense of immediate direction, and in his case to break the ice, so to speak. That is, he should type up the small bit of material, and read over the Sinful Self’s document.

(Long pause at 9:13.) I know how to quicken the impetus of the psyche. To give it a gentle nudge in the proper direction, to insert a hint of reassurance, and with this session that is my intent. (Pause.) The Sinful Self’s material serves as a small psychic source at the moment: that is, he still reacts to it. And the same material may appear from different viewpoints. There are several lines of a poem and a few of the notes, untyped, that should be also typed at the same time—but he is pulling such issues together.

(Long pause at 9:23.) A belief in a “God who provides,” by whatever name, is indeed a psychological requirement for the good health of the body and mind. Ruburt did not want to face such issues. (Long pause.) He felt that they opened the door to all of organized religion’s psychological quicksand of emotionalism. The Sinful Self material is doing its work, opening the necessary doorways of desire and intent. When Ruburt has typed those small later poems, the path will seem much clearer to him. (Long pause.) The innocent self is being uncovered.

(“Would you spell Frank’s again?” I didn’t think Seth had spelled it correctly —not the way he’d pronounced it.)

(I tried this, then said: “I can’t get it right.” Then Seth spelled the name again —this time as he’d first pronounced it:)

The clocks represent on Frank’s part a creative interpretation.... There is an old saying: Time is money—and in his own way Frank would like to make that kind of a statement, clear, direct, and unambiguous: Turning clocks or time directly into good hard cash, a magic of a sort. This is also meant to make up for any “wasting of time” that he might otherwise be engaged in. In a fashion it is an attempt to deal more directly with beliefs regarding time, money, and creativity.

Ruburt is dealing with quite profound material involving the self’s relationship with its own source—this material being worked out in your current situations. The solutions will automatically lead him not only to a solution in practical terms, but toward the areas of development that he has been seeking (emphatically) while being afraid of them at the same time. End of session and a fond good evening.