“Seth material” search engine (Jane Roberts)

The entire Sinful-Self syndrome should remind him of his own personal background, so that he can see the growth of his personality, for in the large he has of course grown out of that framework. If he had not, he would not have done any of his creative work, and in the light of his background his achievements become even more outstanding. The symptoms are the result of the strain between the still-lingering beliefs from childhood, clashing with the unrealistic goals of being a kind of superself, for in the light of that kind of superself image so much is expected that almost any achievement is taken for granted.

(Long pause at 9:58.) He had been shy with people, shy about reading his own poetry, though determined to do so, yet he felt that he should become this public personality, or to perform. I keep trying to think of examples so that you know what I mean. The entire idea of responsibility has been over-stressed. The creative work was expected not only to be creative, imaginative, intuitive, to contain the highest elements of conceptual thought, but must also be capable of solving the most concrete physical problem, tuned with some magical tuning fork so that it could serve almost any purpose required of it.

He may not want to be a public personality, but he does enjoy expression. He does enjoy his own brand of teaching. Part of all this is due to the original aspect of your work itself, which does not have any well-defined definitions.

(Long pause at 10:18.) Ruburt felt that fears were beneath him—or should be beneath him. He felt that you also expected him to cast aside such feelings, particularly if they did not correspond with your own. This is a time of clearing the board. You live physically in present time, so it is the body that takes the brunt of such difficulty. (Long pause.) It always tries to right itself, but it must also work within the effective overall pattern of beliefs and expectations.