“Seth material” search engine (Jane Roberts)

(Long pause at 9:48, one of many.) It almost dissolves in the imagined light of super-expected performance. This generates a sense of disapproval, of course. It also tends to being about a bigger division between those two images of the self. (A one-minute pause.) We want to speak more of reactions between elements of the personality, so I do not want you to settle upon one portion as the villain. At the same time, I do not want to play down the unfortunate aspects of the beliefs connected with the Sinful Self. Those aspects are at the psychological core of your civilization, and at the very heart of your organizations, whatever they are.

(Long pause at 9:58.) He had been shy with people, shy about reading his own poetry, though determined to do so, yet he felt that he should become this public personality, or to perform. I keep trying to think of examples so that you know what I mean. The entire idea of responsibility has been over-stressed. The creative work was expected not only to be creative, imaginative, intuitive, to contain the highest elements of conceptual thought, but must also be capable of solving the most concrete physical problem, tuned with some magical tuning fork so that it could serve almost any purpose required of it.

The present situation has been bound to result in more concentration upon the problem than usual, but in this particular instance the overall results become constructive, because they result in the psychological motion of the released feelings of panic. The experiences he had, of better imagined walking, for example, are important indications of inner resolutions, and that the body is making progress. (Long pause.) The panic kept him from trusting his body, and as that dissipates his innate trust in his body and in his own capacities will improve, and his performance, of course. The suggestion I gave about his situation is important in that regard. (See session of April 24, 1981.)