“Seth material” search engine (Jane Roberts)

You have been taught for centuries in one way or another that repression, generally speaking, now, was all in all a natural, good, social and moral requirement, that expression was dangerous and must be harnessed and channeled because it was believed so thoroughly that man’s natural capacities led him toward destructive rather than positive behavior.

In your times the individual problems of masses of people are bound up with such issues, and as they work toward their own solutions, then in their own ways they help solve problems at the level of world action. You are quite correct: Ruburt spent many years “building up his defenses.” Determined to use his abilities, while also determined to protect himself, and from (pause) any danger that those abilities themselves might carry with them.

(9:49.) There are qualitative leaps that exist impossible to bridge with the intellect alone that separate, say, well-meaning, adequate-enough attempts toward artistic achievement, and works that are of themselves naturally artistic exhibitions. A lifetime of concentrated effort and intellectual concern alone will not, for example, turn a poor poet into a good one. Techniques may improve, the work may become more polished, but the quality of the poetry itself is what is important.

(10:06. With a smile:) When you want to express darkness you might paint your canvas with black instead of your magic white (a la William Alexander), so that then the use of lighter colors upon it will indicate more clearly the quality of light, at least for the painting’s purposes. So to some extent or another, Ruburt’s own adherence to past beliefs of a “negative” nature were also used in his life itself, appearing as symptoms that only the more pointed out the necessity for light, and the need for the greater understandings toward which he was searching.