“Seth material” search engine (Jane Roberts)

This applies to everyone, of course. All of you have a hand in the formation of world events. Those connections are worked out at all levels of reality, in the waking state through your communication devices and culture, and through the far more complicated arena of the culture of dreams. Your dreams are your own, yet they interact with others, and the dreams of others are background issues in your own dream encounters.

Ruburt’s difficulties are based upon certain philosophical dilemmas, that are his own personally—dilemmas, however, that also belong to your time, and are therefore largely responsible for the difficulties in your historical period. To some extent or another, again, the entire affair is an endeavor in which all persons have their parts to play. The issues involved affect, for example, Ruburt’s personal mobility. They also are connected with the much larger social issues, such as the uses to which your nuclear technology will be put.

Energy was feared, expression suspicious unless it was directed and tempered in conventional fashions. Through all of man’s religions and philosophies that line of thought has been most prominent; those who had the most energy suffered from it the most, of course. If you did not believe that energy was more naturally dangerous than beneficial, you would not have any difficulties at all concerning issues like nuclear bombs.

In your times the individual problems of masses of people are bound up with such issues, and as they work toward their own solutions, then in their own ways they help solve problems at the level of world action. You are quite correct: Ruburt spent many years “building up his defenses.” Determined to use his abilities, while also determined to protect himself, and from (pause) any danger that those abilities themselves might carry with them.

One of the main issues is the recognition of the fact that energy is good, that its expression is to be naturally encouraged, and that through such encouragement each individual best fulfills his or her life, and also adds to the development and understanding of the species.

Your country, for all of its obvious errors, still is one in which such issues can best be worked out both philosophically and practically. Now in both of your lives, you have managed to express creative abilities to advantage, to draw upon these not only at isolated periods of your lives, or in partial form, but in such a fashion that they have provided you with continuing frameworks of self-discovery and creativity—so when you are counting accomplishments, remember that (in reference to question 2.

It has provided you with an extra framework through which to view reality. Now yours is, say, the poetry of painting. Now in the philosophical area we are discussing, you are also dealing with imaginative leaps, with casts of mind and spirit that are as rare as true artistic ability is. In that area you are asked to merge philosophical insights with the practical, everyday nitty-gritty of life. You are asked to bring those delicate understandings to practical flowering—a considerable task, and doubly so when the philosophical issues involved go so against the established grain of historically accepted knowledge.

This does not mean that he was fated to do any such thing, that it would not be done more easily in other fashions, but you can see some correspondence there by looking at his (underlined) paintings, and the vivid use of contrasting colors that are not subtle. This is of course one way of looking at the entire issue. The same philosophical dilemma, again, lies at a basis for your mass events. Ruburt has been using television programs and such cultural data as a basis for some of his own dreams. In such a way he sees his own personal situation more clearly—but he also sees the world situation as it reflects the same kind of philosophical questions.