“Seth material” search engine (Jane Roberts)

(10:06. With a smile:) When you want to express darkness you might paint your canvas with black instead of your magic white (a la William Alexander), so that then the use of lighter colors upon it will indicate more clearly the quality of light, at least for the painting’s purposes. So to some extent or another, Ruburt’s own adherence to past beliefs of a “negative” nature were also used in his life itself, appearing as symptoms that only the more pointed out the necessity for light, and the need for the greater understandings toward which he was searching.

This does not mean that he was fated to do any such thing, that it would not be done more easily in other fashions, but you can see some correspondence there by looking at his (underlined) paintings, and the vivid use of contrasting colors that are not subtle. This is of course one way of looking at the entire issue. The same philosophical dilemma, again, lies at a basis for your mass events. Ruburt has been using television programs and such cultural data as a basis for some of his own dreams. In such a way he sees his own personal situation more clearly—but he also sees the world situation as it reflects the same kind of philosophical questions.