“Seth material” search engine (Jane Roberts)

(9:49.) There are qualitative leaps that exist impossible to bridge with the intellect alone that separate, say, well-meaning, adequate-enough attempts toward artistic achievement, and works that are of themselves naturally artistic exhibitions. A lifetime of concentrated effort and intellectual concern alone will not, for example, turn a poor poet into a good one. Techniques may improve, the work may become more polished, but the quality of the poetry itself is what is important.

It has provided you with an extra framework through which to view reality. Now yours is, say, the poetry of painting. Now in the philosophical area we are discussing, you are also dealing with imaginative leaps, with casts of mind and spirit that are as rare as true artistic ability is. In that area you are asked to merge philosophical insights with the practical, everyday nitty-gritty of life. You are asked to bring those delicate understandings to practical flowering—a considerable task, and doubly so when the philosophical issues involved go so against the established grain of historically accepted knowledge.

Exactly what were the mechanisms of such defense systems, as individuals used them? Nations use them in the same way. All of this can be quite difficult to explain. It would be highly unusual for Ruburt to have been untouched by the belief systems of his times—particularly if he had set out to change them. (Pause.) You are not simply trying to look at the world differently, for example, or to change a hypothetical reality, but to creatively bring about some version of a creative and artistic vision that results not simply in greater poems or paintings, but in greater renditions of reality (all very intently.