1 result for (book:tps6 AND heading:"delet session march 2 1981" AND stemmed:spontan)

TPS6 Deleted Session March 2. 1981 5/47 (11%) fiction writer novels public recognition
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session March 2. 1981 9:25 PM Monday

[... 1 paragraph ...]

(I had another of my “insights” while painting this morning, and talked it over with Jane after supper tonight. It was, simply, that we were wrong to blame imagined excesses of the spontaneous self for her problems—that really the trouble lay in her discovery that with the psychic abilities she was destined to find herself outside conventional creative authority: a person who learned that she would have to protect her very integrity as a person against charges of fraud. Publishers don’t put disclaimers on novels or poetry, I said. I added that Seth—and we—must have covered this ground many times over the years; yet now I felt that once again I was “on to something important.”

[... 3 paragraphs ...]

(Her challenge, then, is that she’s never integrated fully her psychic orientation, the true source of all of her gifts, with her views of the rest of her world. I think, I added, that it was an error to blame fear of the spontaneous self going too far if given free reign—I didn’t think nature would arrange things that way, for the organism couldn’t survive for long that way. The behavior of Instream, the other psychologist at Oswego, the demand for credentials from Fell and others, the letters asking for help of various kinds—especially those from the unbalanced—all of these things and more added up in her eyes to an indictment, one might say, of one’s very nature. Clear indications that left alone without safeguards one would go too far for one’s own good.

[... 18 paragraphs ...]

At the same time, he was to be denied his rightful place as a writer (as I’d said earlier), to defend this new position—a position moreover that seemed to change all the time—for beside my books there was Seven, Sumari, and later Cézanne and James. Each one flying in the face of one kind of conventional misunderstanding or another. He felt that he could hardly keep up with the spontaneous self: what was it about to do next?

[... 4 paragraphs ...]

He has held back his inspiration, though, out of confusion, wondering about experiences that cannot be put directly into beneficial use, and also out of concern, again, that the spontaneous self and its intuitional insights will put him in further conflict with the world.

[... 3 paragraphs ...]

A focus upon natural inspiration, spontaneous creativity, psychic exploration, will automatically help relieve the physical situation, if this is done with some understanding.

[... 12 paragraphs ...]

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