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TPS6 Deleted Session March 2. 1981 4/47 (9%) fiction writer novels public recognition
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session March 2. 1981 9:25 PM Monday

[... 2 paragraphs ...]

(Our talk lasted almost an hour in spite of myself, for I didn’t want her to get upset before a session. I felt that we couldn’t afford to miss sessions these days. Her reading the NY Times Book Review each week had reminded me recently that her intent perusal of that publication represented a striving toward something she was not about to achieve—conventional recognition in creative writing.

[... 1 paragraph ...]

(The insight, such as it was, offered many clues to our present situation. I asked that Seth discuss it if she held a session tonight. Jane had been quite blue after sleeping for a couple of hours late this afternoon—and after she’d already slept for two hours this morning. It wasn’t that her psychic work, and the books, weren’t good, I said, or that they didn’t help people, but that they didn’t fit into the world as she saw it. Seth himself had referred to her dilemma in the excerpt I’ve taken from the private session for January 26, 1981, very well.

[... 14 paragraphs ...]

(A long, uncomfortable pause at 9:4l.) Ruburt could have said, “I bear no responsibility for Seth’s words, since they are not mine in the usual fashion.” On the other hand, while he did critically examine our material, he insisted in those terms “that he must be responsible for it,” in that he and everyone else must take normal responsibility in a fashion for “subconscious” actions or revelatory information.

[... 3 paragraphs ...]

(Pause at 9:44.) There was a necessary period of time in which Ruburt and yourself experimented in several areas of psychic exploration, quite rightly picking and choosing those areas that suited you best, and ignoring others that you found for whatever reasons unsuitable. Ruburt quickly discovered that the public image of a psychic was quite different than that given to a writer, and so was the social image. As our readership grew, as you heard from readers or from some members of the media or whatever, it seemed to Ruburt that what he did best—have sessions, write his books—was not enough, that he was expected to do far more.

[... 22 paragraphs ...]

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