“Seth material” search engine (Jane Roberts)

(No session was held Monday night because Jane was so relaxed again—that is, I’d thought that was the reason, but more about that later. “When I sit on the couch and relax after supper, I don’t want to do anything,” she said. “I don’t even want to have a session tonight. I don’t feel him around at all.” She’d called me at 8:45. She still sat in her usual place on the couch, and following a suggestion I’d made the other day she decided to try having the session from that position. It meant she’d be able to lean back, “taking the pressure off my ass,” she laughed. “But I don’t know how it’ll work out.”

(9:32.) That process has been strengthened as far as Ruburt is concerned once again. The Stonehenge poem (that Jane began writing earlier in March, when we received an English postcard from Michael Lorimer) in a way is a case in point, since it shows the reawakening of a certain kind of creative and psychic activity. So does the bodily relaxation, however, and that steady reduction of tension is bound to show good results as he learns to trust himself further.

(A good point. I mentioned to Jane when I read the session to her from my notes this morning that it’s one of those obvious things easy to overlook: Jane’s steady relaxation is bound to help....)

There are other dream episodes that Ruburt has forgotten, and help that he has received, that does not need to become conscious. All that is primarily needed is trust in those healing processes, and particularly in the body’s relaxation.