“Seth material” search engine (Jane Roberts)

He has used the materials of your culture—the television programs and so forth—to excellent advantage in the dream state and otherwise, so that messages of his own psyche come through. The TV programs become like dreams, and indeed they appear rewritten in the dream state also, as the psyche seizes upon different kinds of vehicles for its own therapeutic expression.

The Mafia dream (of March 16) based on the gangsters’ series, for example, served to bring into conscious awareness not just the information, but Ruburt’s feelings about the dominant male role in your present culture. It is the feelings that are so important. They should not be shunted aside, or treated as stepchildren, but compassionately understood. Then (underlined) they can change into something else. The same applies to Ruburt’s feelings in the religious area. There is no need saying, “What a ridiculous way to feel” —not an attempt to disinherit the feelings, but to accept them as one’s own, and compassionately explain the mitigating circumstances and new knowledge that alter the initial circumstances that stimulated the feelings to begin with.

There are other repressed inspirations and creative insights that will also come to the forefront. Unfortunately, it is amazingly difficult to verbally describe the connections between the dream state, health, cultural stimuli, and the way all of these are put together in the interrelationship of body and mind —but Ruburt’s notes on his dreams and other experiences, being specific, can offer some excellent clues.

(Pause at 9:50.) I also want to stress the fact that the entire psychic area of expression belongs to the natural person. It is not some esoteric addition. Man, for example, exhibited natural psychic activity long before the birth of science —and for that matter before the initiation of formal religion. There is therefore a great connection between creativity—poetry in particular—dreams, and psychic exploration. If anything, these provide humanity with a great rich structure of psychological activity from which all of the later cultural, religious, or scientific elements emerge. So remind Ruburt that his psychic activity represents a most basic portion of his nature—and of human nature.

In other words, the psychic development is a part of his natural growth (long pause), a reaffirmation and restructuring of inner information that in one fashion or another was always available to him, but needed to find a conscious format, a conscious expression, a way to pierce the seemingly opaque habits of knowledge of the cultural world.