1 result for (book:tps6 AND heading:"delet session march 18 1981" AND stemmed:but)
[... 1 paragraph ...]
(No session was held Monday night because Jane was so relaxed again—that is, I’d thought that was the reason, but more about that later. “When I sit on the couch and relax after supper, I don’t want to do anything,” she said. “I don’t even want to have a session tonight. I don’t feel him around at all.” She’d called me at 8:45. She still sat in her usual place on the couch, and following a suggestion I’d made the other day she decided to try having the session from that position. It meant she’d be able to lean back, “taking the pressure off my ass,” she laughed. “But I don’t know how it’ll work out.”
[... 1 paragraph ...]
(Actually, I learned as we talked, Jane had called me for a session Monday evening, but I hadn’t heard her. I’d taken it for granted that she wanted the rest instead. But she said when I didn’t answer she decided to let the session go.
[... 8 paragraphs ...]
The Mafia dream (of March 16) based on the gangsters’ series, for example, served to bring into conscious awareness not just the information, but Ruburt’s feelings about the dominant male role in your present culture. It is the feelings that are so important. They should not be shunted aside, or treated as stepchildren, but compassionately understood. Then (underlined) they can change into something else. The same applies to Ruburt’s feelings in the religious area. There is no need saying, “What a ridiculous way to feel” —not an attempt to disinherit the feelings, but to accept them as one’s own, and compassionately explain the mitigating circumstances and new knowledge that alter the initial circumstances that stimulated the feelings to begin with.
[... 6 paragraphs ...]
I want to give you all the pertinent information you require. I also want to see, however, that Ruburt’s own rhythms are followed, so that you do not get an overconcentration of renewed worries or concerns. We are embarked upon a journey of expression, some of that expression will necessarily involve feelings that have been inhibited, of a stressful nature. The problem is not with the feelings, but with the fact that they have not previously been expressed or accepted.
There are other repressed inspirations and creative insights that will also come to the forefront. Unfortunately, it is amazingly difficult to verbally describe the connections between the dream state, health, cultural stimuli, and the way all of these are put together in the interrelationship of body and mind —but Ruburt’s notes on his dreams and other experiences, being specific, can offer some excellent clues.
[... 2 paragraphs ...]
Natural therapeutics always operate, of course, but in your society at least there is considerable pressure put on the other side, for it is the natural person you are taught not to trust. (Pause.) The switch of course, again, can never become total, but science—and medical science in particular—almost managed to divorce man from his natural feeling of trust in his own capacities, so that it seems for example that medical science per se knows more about any given individual’s body than the individual does himself. (Pause.) This is because of the projection of the entire idea of body mechanisms, per se, as opposed to inner spontaneous bodily workings.
[... 4 paragraphs ...]
(Pause.) Our material was precisely the kind that would directly threaten old beliefs, so in that regard there were bound to be points of conflict. Ruburt would meet them fairly directly, since after all he was not some hypothetical person reading our books, but the person responsible for delivering them. In a fashion the material returns him, however, to a natural yet mystical inner knowledge of his childhood before (underlined) he cloaked it in the church’s robes, and it would be good for him to remember that and perhaps try to recapture some of those very early feelings that he has consciously forgotten.
In other words, the psychic development is a part of his natural growth (long pause), a reaffirmation and restructuring of inner information that in one fashion or another was always available to him, but needed to find a conscious format, a conscious expression, a way to pierce the seemingly opaque habits of knowledge of the cultural world.
[... 3 paragraphs ...]
(“No....” Actually I had many questions, but decided to forgo them since Seth had remarked earlier that Jane needed time to assimilate the material he’s already given.)
[... 3 paragraphs ...]