“Seth material” search engine (Jane Roberts)

Outside of that context, none of those fears make any sense at all (equally important, of course). In a large regard the church through the centuries ruled through the use of fear far more than the use of love. It was precisely in the area of artistic expression, of course, that the inspirations might quickest leap through the applied dogmatic framework. The political nature of inspirational material of any kind was well understood by the church.

Ruburt did initiate a small religious order in the 16th Century, in France, and he was in love for many years with the man he met in his dream—a cleric. The love was not consummated, but it was passionate and enduring nonetheless on both of their parts.

The name Normandy comes to mind, and the name Abelard. The dream came to remind Ruburt of those connections, but also to remind him that his life even then was enriched by a long-held love relationship. The two corresponded frequently, met often, and in their ways conspired to alter many of the practices that were abhorrent yet held as proper church policy.

(Bill was still alternately sleeping and preening himself beside me on the couch, as he’d been doing all through the session. His coat is glossy and beautiful. I admired the tender loving care with which he addressed himself to each portion of his body.