1 result for (book:tps6 AND heading:"delet session june 29 1981" AND stemmed:creativ)
[... 5 paragraphs ...]
(My viewpoint was that it was impossible for me not to have strong feelings about the situation, even though—as I said—I agreed that her paper was a highly creative piece of work, that it augured well for the future, and that it was so far easily the best material we’d gotten on the symptom affair. Yet I still felt questions and statements going around in my head as we retired—and as is often the case in such situations I wondered if I’d gone too far in my reactions, and needlessly interfered with Jane’s attempts to probe into and understand a most difficult challenge. My question, above, was an outgrowth of my own feelings and questionings. I read it to her as we sat for tonight’s session, and she agreed it was a good one.)
[... 10 paragraphs ...]
Generally speaking, the best policy to pursue is to concentrate not upon the problem but upon its possible solutions, and this process can be a rather intense one. Then, as much as possible (underlined), the situation should be dropped for a period, concentration purposely directed as much as possible elsewhere. Thus giving the creative inner self the time and opportunity to let the entire physical system accelerate its own healing processes, and to begin again with the initiation of impulses, dreams, and so forth that will help bring a physical improvement about.
[... 2 paragraphs ...]
It is important that the creative self understands what has been going on also. In such a way the various portions of the personality can reinforce and help each other, and the Sinful Self can see that the creative elements are not blind to its worries, but will also use its abilities to help discover explanations and answers to the questions of the so-called Sinful Self.
(Pause.) As that happens, the Sinful Self will also be able to take greater benefit from our sessions. You can see the Sinful Self’s connection with creativity easily, as it communicated through its document, which is for example very well written, carrying its own flavor. You can also see where it is lacking: it has displayed little sense of playfulness, for example, or of expansion. It is overly serious, overly conscientious, and its thinking is largely in black-and-white terms. For all of that, it shares philosophic concerns that deeply interest the entire personality, so there is plenty of ground for a give-and-take.
[... 1 paragraph ...]
The nature of that consideration will show itself as a natural result of the psychological events now occurring. There may be a communication of one kind or another directly from the creative self to the Sinful Self, for example, in which those issues are sympathetically addressed. There certainly will be dreams and other such events that serve as communications from one portion of the self to another—and these may be initiated from any portion.
[... 2 paragraphs ...]
Such events will follow their own rhythms if you allow them to. Your own love-making and communications of love in different ways is of continuing importance. Right now I act more as a monitor. (Long pause.) Remember that all portions of the personality are conscious. Everything does not have to be translated into your terms of consciousness, however. Quite creative solutions of course happen at other levels, arising into your usual consciousness sometimes by very diverse routes.
[... 2 paragraphs ...]
(Long pause.) The more stimuli, thoughts, desires and material of a diverse nature brought into the system—within reason—the greater the amount of material the inner self has to work with and put together in its own creative fashions—but do remember those sessions given that remind Ruburt that his body can indeed recover, that he can indeed trust his body’s processes, and that he should not compare his life with anyone else’s, but trust in the entire fabric of his existence, and you indeed should trust the entire fabric of your own.
[... 3 paragraphs ...]