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TPS6 Deleted Session June 2, 1981 15/42 (36%) crisis situation bathroom therapeutic toilet
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session June 2, 1981 7:50 PM Tuesday

[... 1 paragraph ...]

(Jane said she’d like a session as soon as we’d finished a late supper—by 7:20 PM—and expressed the hope that Seth would deal with her immediate situation—sort of an emergency treatment.

[... 4 paragraphs ...]

(So this morning, Tuesday, I also carried her to the toilet seat, and once more she was quite relieved. She’d also slept well. We spent most of the morning working with the pendulum, and this seemed to help, and brought us some fresh information. A few of the answers were surprising. We have started a notebook for the pendulum material. I should add that Monday night’s session had actually begun to give us glimmers of hope, and that this buoyed-up feeling had begun to manifest itself this morning, whereas yesterday we’d felt pretty hopeless about the situation. This morning Jane also mentioned that she had the idea of trying to walk with the typing table —something she hasn’t done since last November 16, 1980, by the way—so I got it out. She tried several times to get to her feet; she almost made it, but couldn’t quite. She wants me to get the table for her each day now until she is able to walk with it in the old way. An excellent idea.

[... 3 paragraphs ...]

What you want is not a crisis situation, but a therapeutic situation—so change the statements of your thoughts. Your intent now is to create a therapeutic situation. Otherwise, your concentration is upon crisis.

What elements help bring about such a situation? They are elements that do not seem perhaps to have anything at all to do with the matter at hand. (Long pause.) Love-making is extremely important in that regard, for of itself it brings about an overall betterment in body and mind. It helps bring about the kind of mental atmosphere that is conducive to healing at all levels, and it involves you both at the same time. It should have a much higher position in your priorities.

[... 1 paragraph ...]

(I should take a moment here to note that Seth has said this before, and that Jane has referred to it also. I for one haven’t had any such feelings, since from the very beginning of our relationship I’ve always felt certain that in Jane I’d found the ideal mate—an achievement I’ve considered most fortunate, one I’d hardly dared dream I’d manage to do. Looking back, our meeting and getting together seemed the most natural and inevitable things in the world; how could I improve upon that? I’ve always been intensely proud of Jane’s achievements and abilities, and glad to be able to participate in them to whatever degree. The thing that has left me distraught, nearly broken-hearted, is to see her in such a progressively poor physical situation as the years have passed. Especially devastating is this when the material explains very clearly that things don’t have to be that way. No wonder I say to her that we’ve paid too high a price for our achievements. I want to see her able to manipulate like other people, of course, and to have her achievements also; that things haven’t worked out that way so far can’t but help have a profound effect upon my feelings, hers, and our relationship, which I’ve always taken absolutely as being as solid and enduring as the elements.)

[... 2 paragraphs ...]

Love-making makes your situation safer, so that it encourages expression and automatically comforts all portions of the self. That comforting agent is highly vital. (Long pause.)

Ruburt has been afraid of your reactions as Events and God of Jane meet the public world. I do not want to hurt either of your feelings (pause), but in your cases the creation of a crisis period is not beneficial. This does not mean there cannot be discussion, or decisions made about seeking help from others, or whatever, but that the idea of a crisis situation aggravates the very natural feelings (long pause) that are present and unfortunately exaggerated in the entire situation.

Now some people deal with critical situations, and it is in the nature of their temperament. This would involve many in various categories: they run from one crisis situation to another, using such crises as impetuses. These people often relax completely in between, however. In chronic situations you often have a steady drainage, say, of energy. There are little reserves, in usual terms, now, for such crises.

[... 2 paragraphs ...]

(8:19.) You have both tried to handle the situation by yourselves, and that statement applies to you both. The approach is quite characteristic of you both, all in all. It can be seen in other forms (pause)—in your interest for example years ago in situations like survival, using the land’s resources; in your imagined dealings with a possible nuclear war in the past, when you saw yourselves relying upon yourselves; in your behavior during the flood; in your determination to seek yourselves for the meaning of life rather than look to the authorities—and indeed in your own dealings with your own health when such issues arise. There are lines drawn: you see dentists, for example, but the overall pattern is a pattern highly characteristic.

[... 1 paragraph ...]

Ruburt’s condition does not just have a physical significance, then, for either of you, but becomes intrinsically tied up with your personal philosophies, your values about creativity and self-reliance. Those values on Ruburt’s part in particular have been contaminated, so to speak, by the fears and issues we have earlier spoken of. We therefore want the concentration upon, again, a therapeutic situation. This automatically should bring about a change of focus. You can still leave open your decision about medical help, or make it, or whatever, but you will not use fear as an impetus.

[... 1 paragraph ...]

Ruburt should definitely begin some kind of energy exercises, as I suggested last evening, and take other creative approaches toward the setting-up of the therapeutic situation—some painting or poetry or writing or whatever should be reinstigated. This is highly important.

[... 2 paragraphs ...]

Adams mentioned that actually Ruburt’s eyes responded rather quickly to the various lenses. He also mentioned that when prisms were used the resulting activity on the muscles often led people to complain about dizziness, nausea, and so forth. That entire muscular group has been trying to improve itself of late, and at such times Ruburt does feel disoriented with changes in head pressure, balance, depth perception. Those sensations frighten him. The body understands those situations, while in a state of fear they can arouse new distrust.

[... 1 paragraph ...]

(8:52.) Now that situation, plus the mental strains of the crisis condition, brought about the present situation. The physical situation will change in any case, and for the better (long pause), but the crisis situation itself helped rearouse Ruburt’s lack of trust. It has often been thought that love-making in some way impairs creativity; in fact, it is highly conducive to all kinds of creative endeavor—a point I want to emphasize.

[... 2 paragraphs ...]

The strain is a result of your own attitudes, of course—of a burden being applied that should or need not be. It seems there is nothing wrong with your back. It is your attitude that hurts. And that also speaks to Ruburt to express your own feelings: you cannot depend on me to do this all the time. The same statement was made when you carried Ruburt to the car. In exaggerated form, Ruburt makes the same statement of his own with his own symptoms—that is, they also express attitudes. Theoretically, your love alone could sweep the discomfort away, so that Ruburt felt as light as a feather. They express your reluctance, of course, and outrage against the situation.

If you follow the suggestions in last night’s session and tonight’s, the situation itself will automatically change. Ruburt will find himself dependable enough to walk in the bathroom again, and within a relatively short period.

[... 6 paragraphs ...]

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