“Seth material” search engine (Jane Roberts)

(Long pause, eyes closed, leaning back.) Ruburt cannot understand all of the processes that are involved, but the body knows what is to be done, and is working with its own rhythms. This may cause temporary disorientation, but that will also pass, as you can see. Certain portions of the body were released this evening. By all means let Ruburt continue to express his feelings to you about the situation, however, and reassure him of his body’s competence.

Later editors did not see eye to eye with him about his work. He learned that his work must be sold in the marketplace if he wanted to continue writing. He tried unsuccessfully to publish several novels. (Long pause.) When Frederick Fell took the ESP book he was delighted. In a fashion Fell represented the next step upward from, say, pulp magazines. On the other hand, Fell did not go for the next projects that he either offered or had in mind—nor did Ace Books, who fell into the same category.

(Long pause at 9:07.) In many ways Tam and Ruburt got along quite well, even though Tam was a good deal younger, where before Ruburt’s editors had been people a good deal older than he. When the book was done Ruburt began another, along with several different attempts. Dreams, Astral Projection and ESP, I believe was to be the title. Ruburt signed for the book but had difficulty with his presentation, and it represented his indecisions, so Tam respectfully at first suggested large alterations.

Ruburt himself recognized the book’s deficiencies, and he and Tam together hit upon the idea of switching my book, Seth Speaks, which was not yet contracted for, instead of Dreams. (Long pause.) Ruburt was therefore impressed to the ears with the necessity of getting a book to market, and of the importance of a decent working relationship with an editor, particularly in the uncertainties of even usual free-lancing writing were taken into consideration.

(Long pause at 9:19.) These methods of operation involved certain evidences of play, some social chatter, mutual trust, and left open the doors to a certain kind of unpredictable pattern of development—a pattern in which, for example, Tam could recognize the latent book in the Emir dream, and help fire Ruburt to write it, even though eventually Prentice was not the publisher.

Now overall he wanted an attractive package, of course, yet to him the book was in the copy mainly. (Long pause.) The Bantam photograph covers did displease him, but in a fashion he did not expect any more from the mass paperback situation. For some time he felt competent then in those business dealings. He felt loyalty to Tam, who he felt was loyal to him. At the same time he did not idealize Tam, and was well aware of some of his natural failings.

Many of the typos, for example, did not exist for Ruburt. He valued the good feelings that existed between himself and Tam, and quite preferred for example not to deal with too many other people at Prentice, but to keep the situation as simple as possible. They settled many matters by hastily scribbled notes (pause), and by other methods that sometimes did not even seem to deal with the matter at hand.

(Long pause.) The problem with the contracts and the entire translation affair bothered you both deeply. Ruburt felt at times that you were too severe on occasion in your dealings with Tam for a while. (Long pause.) The entire situation bothered him deeply. He valued the relationship with Prentice (long pause), and he valued the idea of distributing the books in foreign lands, even if that venture meant misunderstandings or quite deliberate translations such as the shortening of one book, feeling that Prentice, while negligent, was not deliberately negligent, and that the situation would be righted and the material restored.