“Seth material” search engine (Jane Roberts)

(Long pause.) Those creative elements of personality must then to some extent or another finally communicate with the “Sinful Self” directly—sympathetically embrace that self (pause) as the part of personality that first accepted cultural and religious beliefs with all of their negative and positive influences. The more creative portion of personality must then realize that in a fashion it exists because the Sinful Self did. Those negative beliefs then no longer seem so frightening. The taboos within lose their power, and the Sinful Self is seen as (long pause)representing the stage of growth through which the self is passing (intently).

The errors and discrepancies of the culture are apparent, and that information can then be used in highly creative ways. Solutions can then be sought for the problems of the culture as well. In such a fashion new data may (underlined) be inserted, changing the entire scope and shape of social consciousness.

(9:19. Long pause.) Ruburt is trying to move outside of the picture entirely. Only by so doing, of course, can the larger avenues of knowledge be opened and made available to the society—or to the self. For many centuries creativity itself was firmly directed by Christianity, and to some extent (underlined) Christianity brings with it an air of uneasiness for society—to the extent that any original thought or insight must indeed imply an intrusive force to a world that must exist in a rare balance that is the result of preserving old values and obtaining new knowledge.