1 result for (book:tps6 AND heading:"delet session juli 26 1981" AND stemmed:thought)

TPS6 Deleted Session July 26, 1981 4/51 (8%) service pleasure Turkish Ramstad apparel
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session July 26, 1981 3:14 PM Sunday

[... 5 paragraphs ...]

(But the dream, innocuous as it seemed to be, carried a big charge. I was amazed that Jane picked up so well on it, and that her insights extended to herself and the symptoms in ways that hadn’t occurred to me. I’d even thought of not bothering to write down the dream in the first place.

[... 13 paragraphs ...]

(Long pause.) Ruburt made certain correlations. He thought, for example, of his own pajamas that he wears now instead of the jeans he wore before, and it seemed to him that in all his strivings he had in one way or another also acted like your friend whose jeans kept turning into the Turkish towel: he had been trying to protect an important way of relating to the world, or to protect a way of life.

Some of this has to do with the complicated nature of creativity itself, and with the contradictions that seem to exist at certain levels. Your kind of creativity has always been together and jointly of a private nature—so much so that you do not even like to work in rooms too close to each other. You have often thought of living under more isolated surroundings. Ruburt has been fascinated at times by the idea of working nights, his ways of assuring such isolation. You began to accumulate some ideas of a different nature, wondering more about your responsibilities to the world as adults, wondering how “useful” art should be in the world.

[... 26 paragraphs ...]

(I added that I thought I was already doing, at least to some extent, what Seth advocated in the session—throwing away any sense of responsibility or financial reward in painting, at this time at least. I trusted that whatever might result from the painting would be beneficial in various ways, possibly including the financial if the need arose. I explained to Jane that I’d reached the point in the last year where I just couldn’t let anything interfere with the act of painting itself—and that I thought she needed an attitude like that in regard to her own work very badly. I could have said [in retrospect] that my attitude stemmed at least to a large degree from my watching her struggle with her own hang-ups. Not that I didn’t think I’d reach it on my own anyhow.

[... 2 paragraphs ...]

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